This film is a typical representative of the Serbian 60s Black Wave film. It attacks some social aspects of Tito’s communist regime, depicting two practically indigenous brothers that came from a small highland village and joined the communist partisans in WWII. After the war, they return to their village, revealing to each other that each has stolen a submachine gun from the army. It’s social critique is quite obvious, according to the film trend in Yugoslavia of that time. It’s plot line is blurred by some surreal inserted symbolical shots. Whereas some of these are brilliant , some of these are quite hard to explain and comprehend. A great film to be seen, (quite hefty cinematography) with some extraordinary choices in visual composition of the contents of particular shots. However, some parts are bit confusing, even more so, I assume, to the non-Yugoslavian audience.Read More »