In Ancona, Giovanni is a therapist, whose 17-year-old son Andrea is accused of stealing a rare ammonite fossil from his school. Andrea is suspended and protests his innocence, but later confesses to his mother Paola he and his friend stole it as a prank, and intended to return it before it broke. Giovanni and Andrea make plans to go jogging together, but Giovanni is called to the distant home of a patient who is severely distressed about a possible cancer diagnosis. Instead, Andrea goes scuba diving with a friend and swims into an underwater cave, where he accidentally drowns. Giovanni, Paola and their daughter Irene are left to mourn. Giovanni investigates the diving equipment model and becomes suspicious that Andrea’s was defective, but Paola reminds him the verdict was that it was functioning properly. Giovanni, once a distant observer of his patients’ struggles, begins having difficulty analyzing them, particularly the one he went to see on the day Andrea died, against whom he shows signs of impatience and hostility.Read More »
PLOT: A movie director struggles with his relationship with his family, and with his latest movie, about the impact on the Italian Communist Party of the USSR invasion of Hungary in 1956.Read More »
Because of an accident, Michele (a leader of P.C.I. and a water-polo player) loses his memory. During one water-polo match, strange guys torment him; they want him to remember his past. As the match is about to finish, he misses the penalty which would have let his team draw the match and keep the leadership.Read More »
Synopsis: Michele, Goffredo, Mirko and Vito are four friends who have participated in the battles of the student in Sixties. Now in the Seventies, the four friends don’t know what to do, though young and with so many possibilities to find a job in life. Intellectuals marginalized and misunderstood, the four friends find themselves when they can in a restaurant to discuss their outlandish theories. A girl named Olga disrupts their life, but Michele is her favorite, although he does not know what to do with the girl.Read More »
From: Cinema On Cinema: Self-reflexive Memories in Recent Italian History Films, by Tiziana Ferrero-Regis Nanni Moretti’s documentary, La cosa (The Thing, 1990), represents the painful transformation of the PCI (Italian Communist Party) through the voices of the party’s members who met throughout Italy to discuss the changes proposed by the PCI’s leadership. From the confronting debates depicted in La cosa, the re-evocation of the history of the Italian Left and of its founding principles emerge as a background, creating a nostalgic longing for a style of politics that had disappeared in Italy.Read More »