Thelma (Lois Maxwell), wife of guilty but insane killer Speight (Kieron Moore), assumes a new identity – known only to her employer Jerrard (Hugh Sinclair), and marries Victor (Bill Travers). Speight escapes from a mental institution to prove his innocence. Private detective Bishop (Paul Henreid) and his secretary Vera (Kay Kendall) find him, and discovering that he is sane, seek the real killer.Read More »
Synopsis:
Passengers on an ocean liner can’t recall how they got on board or where they are going yet, oddly enough, it soon becomes apparent that they all have something in common.Read More »
Quote:
Undeniably one of Hollywood’s greatest actresses, Katharine Hepburn nonetheless only had one voice. She used it to massive effect but anything that really warranted an utterly different accent tended to make her look horribly miscast. Of all the great actors she was the one who seemed to be horribly miscast most often, whether it be as a Chinese peasant girl, a queen of Scotland or a backwoods hillbilly. Here, playing the nineteenth century pianist and composer Clara Schumann, I expected another horrible miscasting, but found that the film’s very human story utterly engaging regardless what accents are brought to bear.Read More »
Brief Synopsis:
A woman tries to protect her refugee husband from her rich and powerful ex-lover.
Quote:
Deception is an operatic rehash of the 1929 film Jealousy. Music teacher Bette Davis–who evidently has a large student pool, judging by the size of her penthouse apartment–is reunited with her cellist lover Paul Henreid, whom she believed to have been killed in the war. Henreid wants to marry Davis, but he is unaware that she has, for the past several years, been the “protege” of composer Claude Rains. Read More »