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Tilaï opens to a long sequence, off-axis shot of a lone traveler moving away from view as he slowly traverses the arid, featureless plain on a lumbering, overburdened mule and disappears into the desolate horizon. It is an appropriately distanced and alienated introduction for the weary, but sanguine Saga (Rasmane Ouedraogo) who, after an extended journey away from his native village, has returned to the foreboding sight of anxious villagers assembled at a clearing near the entrance of the intimate community. Greeted by his brother Kougri (Assane Ouedraogo) who heads off Saga at the footpath to the village on behalf of the family, Kougri informs him of an unforeseen (and reprehensible) development during his absence: the marriage of his beloved Nogma (Ina Cissé) to their father Nomenaba (Seydou Ouedraogo), having changed his mind and taken the reluctant young woman – once promised to Saga by the old man himself – as his second wife.Read More »
