Salome Kammer

This is not only a sequel to the “Second Heimat”, but also a chronicle of a very decisive decade for Germany (1989 to 200). The main couple of the mini-series released in 1992, Hermann Simon and Clarissa Lichtbau (played by the same actors), reunite after almost exactly 29 years. Their last night of love in November 1970 closed the previous series. Now, on November 9th, 1989, when the Berlin Wall falls, Hermann and Clarissa meet each other again by mere chance. Surrounded by celebrations, the former lovers bring each other up to date, and reestablish a relationship. Hermann has become a well known maestro and Clarissa, a respected singer, but both lead solitary lives. Clarissa takes Hermann back to his birthplace, Schabbach where he can revisit his brothers, Ernst and Anton (the same actors from Heimat 1), who stayed on there, and extended family and friends.Read More »

The movie consist of 13 separate episodes each handling a period between 1960 and 1970. The length of these periods varies from one day to some years. It tells the story of a group of people in Munich (mostly music and film students). Every episode focuses on a different character from the group, although the main storyline and character, the young composer Hermann, continues. The movie tells a story in many different levels about love, friendship, misfortune, loss, art, politics, history with important historic events of the decennium in the background. It was the most costly and ambitious drama production in German television, although very cinematographic. Believed to be partly autobiographic.Read More »

Quote:
“There is a time for sewing up and a time for tearing apart. That’s an old proverb of my mother’s”. The wise little saying is nothing less than a piece of “Heimat”. Or not really, since the words of a young woman from the Hunsrück, working as a tour guide in Munich even though she can’t tell the Frauenkirche from the Stadtmuseum, fell victim to the scissors. For Edgar Reitz the time for sewing together has begun again. Eight hours left over from the Heimats have turned up again, the montage film “Heimat –Fragmente” arising from them lasts 146 minutes and had its premiere last weekend at the Venice Biennale. The more work you turn on the lathe, the more shavings you get, and it’s not surprising that they are of good wood. Read More »