Sharon Stone

A veteran hit man, Dekker is ready to call it quits and leave the profession. Dekker’s final job, however, proves to be trickier than expected when the sadistic Zidzyck recruits the assassin to kill his wife.Read More »

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After her husband dies of mysterious circumstances, a widow becomes increasingly paranoid of the neighboring religious community that may have diabolical plans for her.Read More »

Like its predecessor (De l’origine du XXIe siècle), The Old Place examines the role of art in history, only this time in still rather than moving images. Says Michael Althen of this piece, commissioned by the New York Museum of Modern Art in 1999, “[T]he aim is not to give an overview of art history but to cut a path through the forest by asking how art relates to reality and its horrors.” Throughout its mid-length duration, reflections on art and its traces cross swords with future-oriented impulses. The questions it poses are not meant to be answered, but taken as wholesale embodiments of cultural memory, which tends to account for reality via myths and legends. As in the opening image of a monkey dangling from a tree, it is dependent on the presence of gravity to give hierarchical sensibilities a grounding from which to suspend our inhibitions.Read More »