Synopsis:
In New York, a bank robbery of $300,000 goes unsolved for a year, until some of the marked bills are found in a Los Angeles drugstore theft. Police detectives Cal Bruner (Steve Cochran) and Jack Farnham (Howard Duff) investigate and are led from the drugstore to a nightclub, where singer Lili (Ida Lupino) is another recipient of a stolen bill. With Lili’s help, the partners track down the remaining money, but both Lili and Frank are dismayed when Cal decides he wants to keep part of it.Read More »
Steve Cochran
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Don Siegel – Private Hell 36 (1954)
Don Siegel1951-1960250 Quintessential Film NoirsFilm NoirThrillerUSA -
Sam Peckinpah – The Deadly Companions (1961)
1961-1970DramaSam PeckinpahUSAWesternQuote:
With its small cast, character-driven story, and modest production values, Sam Peckinpah’s first feature film seems very like another of his TV Western dramas–just one that happened to get shot in Panavision. The director’s favorite TV actor, Brian Keith, plays a surly loner named Yellowleg who ventures into Indian country with a dance-hall girl (Maureen O’Hara), the corpse of her little boy, and a pair of marginally human specimens (Steve Cochran and Chill Wills) who more than justify the title. Everybody has, or seems to have, a guilty or shameful secret: Why does Yellowleg keep his hat on? Was Kit (O’Hara) a widow, or a whore? Action, menace, and ethical dialogues come and go pretty much according to TV rhythms, and the visuals and editing are conventional. But there’s enough quirky character work and offbeat mood-making to hint at the singular filmmaker soon to arrive big-time. –Richard T. JamesonRead More » -
Vincent Sherman – The Damned Don’t Cry (1950)
Drama1941-1950250 Quintessential Film NoirsFilm NoirUSAVincent ShermanQuote:
The Damned Don’t Cry – It’s a man’s world. And Ethel Whitehead learns there’s only one way for a woman to survive in it: be as tempting as a cupcake and as tough as a 75-cent steak. In the first of three collaborations with director Vincent Sherman, Joan Crawford brings hard-boiled glamour and simmering passion to the role of Ethel, who moves from the wrong side of the tracks to a mobster’s mansion to high society one man at a time. Some of those men love her. Some use her. And one a high-rolling racketeer abuses her. When the racketeer murders his rival in Ethel’s swanky living room, she flees a sure murder rap right back to the poverty she thought she had escaped. And this time there may not be a man to pick up the pieces of her shattered life.Read More »