1961-1970

  • Kenji Misumi – Koto yûshû: Ane imôto (1967)

    Kenji Misumi1961-1970AsianDramaJapan

    Two sisters, Kyoko and Hisako, run a restaurant in Kyoto. But an incident with the latter’s fiancé puts their relationship, and the future of their cuisine in jeopardy.Read More »

  • Jørgen Leth & Ole John – Se frem til en tryg tid AKA Look Forward to a Time of Security (1965)

    Jørgen Leth1961-1970ArthouseDenmarkDocumentaryOle John

    Det Danske Filminstitut wrote:
    A razor, a hand, some white foam, a neck, a man talking, piano notes. A shaving is closely followed.
    The title refers to a social democratic slogan.Read More »

  • Masashige Narusawa – Hana fudâ tôsei AKA Flower Cards Chivalry (1967)

    Masashige Narusawa1961-1970CrimeJapan

    Review from Takuma_964 @ Letterboxd wrote:
    An absolutely astonishing art house ninkyo yakuza film. Wandering gambler runs into a young swindler woman working with old man. They are both arrested by detective. A year later gambler is staying with gangster boss when he comes across that woman and her partner again. Boss lusts for both her and his own daughter, while the boss’s crazy yakuza brother loves his daughter, who, in turn, watches the player and wants to destroy the people standing in her way. And here lies one of the film’s remarkable departures from the standard ninkyo efforts: it doesn’t have a third party villain, nor a clear distinction between good and evil.Read More »

  • Kamran Shirdel – Qaleh AKA The Women’s Quarter (1966)

    1961-1970DocumentaryIranKamran ShirdelShort Film

    The deeply moving “Qaleh – The Women’s Quarter” (1966) shows the life of prostitutes in Tehran’s city brothels, an area known as Shahre Now. The film closely follows a number of women and communicates how the burden of social constraints led them to surrender in the face of their common fate. By including photos in the film, a very unique and artistic approach that brings to mind Chris Marker’s classic La Jeteé, Shirdel not only tempers the subject’s emotional heaviness but also respects the individual’s privacy, two pitfalls that often afflict films that deal with themes of this nature. The film does explore the possibility of re-education and development for these women, but in no way does it paint over the hard and brutal reality. As the film closes, a magnificent scene shot in slow motion leaves us with the memory of this ugliness forever imprinted in our minds.Read More »

  • Masashige Narusawa – Hana fudâ tôsei AKA Flower Cards Chivalry (1967)

    1961-1970CrimeJapanMasashige Narusawa

    Review from Takuma_964 @ Letterboxd wrote:
    An absolutely astonishing art house ninkyo yakuza film. Wandering gambler runs into a young swindler woman working with old man. They are both arrested by detective. A year later gambler is staying with gangster boss when he comes across that woman and her partner again. Boss lusts for both her and his own daughter, while the boss’s crazy yakuza brother loves his daughter, who, in turn, watches the player and wants to destroy the people standing in her way. And here lies one of the film’s remarkable departures from the standard ninkyo efforts: it doesn’t have a third party villain, nor a clear distinction between good and evil. It’s bursting with romantic emotion and wrenched with gritty realism, shot with striking black and white compositions, and explodes into shocking carnage. It has lengthier, more detailed gambling scenes than any other yakuza film I’ve seen. And it has a heartbreakingly beautiful score. You could call it the Ashes of Time of ninkyo yakuza films. A masterpiece!Read More »

  • Larry Kent – When Tomorrow Dies (1965)

    Larry Kent1961-1970ArthouseCanadaDrama

    Quote:
    Frustrated housewife Gwen James (Rabid’s Patricia Gage) feels like little more than a servant to her accountant husband (Strange Brew’s Douglas Campbell) and two daughters. Devoting all her time to their needs – and the demands of her cantankerous father – she feels her sense of self-worth slipping. As Gwen wrestles with increasingly despairing thoughts, she escapes into a world of glamorous fantasy and eventually finds a new sense of purpose by enrolling in a university course, where she strikes up a special bond with her young professor (American Nightmare’s Neil Dainard). But as Gwen reverts to a more youthful, carefree state, her family descends into chaos.Read More »

  • Yoshihiro Ishikawa – Kaibyô nori no numa AKA Bakeneko: A Vengeful Spirit (1968) 

    1961-1970HorrorJapanYoshihiro Ishikawa

    Nabeshima Naoshige murders his lord, Takafusa Ryuzoji, seeking to gain power and steal his Lord’s wife. To avoid her fate, Lady Takafusa drowns herself along with her cat in a nearby marsh. A decade later, Naoshige’s efforts to steal another woman triggers a curse on him when she also commits suicide at the same marsh forcing him to suffer the consequences of his past actions.Read More »

  • Jun’ya Satô – Soshiki bôryoku (1967)

    Jun'ya Satô1961-1970CrimeJapan

    A war breaks out on the streets between rivalry Yakuza clans.Read More »

  • Jean Eustache – Du côté de Robinson aka Robinson’s Way (1964)

    France1961-1970Jean EustacheShort Film

    Quote:
    Eustache’s debut film follows two young men near the place de Clichy, looking for fun and whatever trouble comes with it. Unsurprisingly, their attention ultimately falls on a girl. They go to a dancing called “Robinson”. Spurned when she decides to go dancing with someone else, their thoughts quickly turn to revenge. Slowly, we discover the layer of despair that sits just under their carefree appearance.Read More »

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