Not to be confused with the Borowczyk short of the same title, Zbigniew Szymanski’s film documents a day in the life of a worker. An exquisitely beautiful fusion of graphic and photographic imagery, similar in style to the great Jerzy Kucia’s films.Read More »
Adam’s everyday life is boring and depressing. To escape it mentally, he sinks into childhood memories and fantasies that are populated by angels and witches. He himself has the role of Superman, who comes to the aid of all the oppressed. Lenica’s surrealistic film depicts Adam’s “real” world as a black-and-white real movie, while his dreams are visualized in colorful animated sequences.Read More »
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Sixty Six began as a three minute, 16mm film I created in 2002– a pop poetic filled with the lush palette of Daylight Noir and primary color abstraction. For some undefined reason, I never took this little conjuring to the printing stage but would instead occasionally screen it publicly as tape-spliced workprint. In June of 2012, I felt compelled to finally complete this short. I decided to re-create it, shot for shot, in digital video, which in the intervening decade had replaced 16mm as my format of choice. But a surprising thing happened as I transposed some of the original shots into video, the piece kept expanding as new images and materials spontaneously folded in.Read More »
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Ella Fitzgerald, backed by the Oscar Peterson Trio, sings “Tenderly” as watercolor animation portrays life and love in a big city. Simple and marvelous.Read More »
From Steve Schneider’s book, That’s Not All Folks! The Art of Warner Bros. Animation (1988):
The one cartoon that best sums up the Clampett sensibility – and, for that matter, the new braziness of the entire [Leon Schlesinger] studio – is Warner’s first release of 1943, Coal Black and de Sebben Dwarfs. Notorious now, the cartoon is virtually a scene-by-scene, character-by-character send-up of the fabled Disney feature, as enacted by an all-black cast. (The film’s regrettable ethnic element, it must be added, is indicative of some of the conventions of the time.Read More »
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Two little boys go for a secret nighttime adventure and have an encounter with a MOONBIRD.
This absolutely charming little film is based on the (apparently) unscripted dialogue between two young brothers, Mark & Hampy Hubley. Created & designed by their parents, John & Faith Hubley, the effervescent quality of the conversation is matched by the limited-animation format which takes the simple story into flights of fancy.
Winner of the 1959 Oscar for Best Animated Short.Read More »
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This single-channel video explores the effects of technology and information overload on the contemporary psyche. Set in a virtual tech-noir urban space populated by strange hybrids of non-humans and augmented people, part of the expansive, fractured narrative focuses on the continued adventures of Xanax Girl and her search for her companion—a hybrid dog/seal with the head of a boy—who has been abducted. Read More »
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The name Tale of Tales came from a poem of the same name by Turkish poet Nazım Hikmet that Norshteyn loved since 1962.Read More »
