The young, beautiful virgin Sheherazade (Catherine Zeta-Jones, in her film debut) embarks on an adventure through the legends of the 1001 nights. Aided by a genie living in 1990 London who watches her through his TV, she meets all the great heroes and kings, when she’s not getting stripped completely naked, that is.Read More »
During rehearsals for a school performance, a group of students discusses whether sex and love belong together, and whether both together in a relationship is possible.Read More »
In a series of live action and animated vignettes, the evolution of humanity is depicted and explored, primarily through the experiences of Cathy, a tour guide in a natural history museum, and Lee, a college student infatuated with her.Read More »
Comedy of manners set on the “Kodama” train between Tokyo and Osaka, before the opening of the Shinkansen. In the leading role, Frankie Sakai plays a straightforward but indecisive hero. The passengers also include the bubbly Dan Reiko, and Ozawa Eitaro as a dour company president. Based on the novel “Seven and a half hours”, by Shishi Bunroku.Read More »
Once upon a time there was a spoilt, directionless woman called Georgina Oliphant (Claudia Karvan).
To relieve the boredom associated with being an heiress, Georgina has commissioned a sculpture using her father’s money. Foreseeing a healthy tax deduction and a chance to honour his dead wife with a new wing in the state gallery, her father George (Chris Haywood) indulges her. Georgina’s friend, Lily Carmichael (Victoria Eagger), is engaged to create the work.Read More »
A few stories are mixed, but all starts with Claire who one day brings back to Gregoire one of his books found at the university. Gregoire is the tenebrous romantic king, and Claire falls in love with him. But there is also Gregoire’s circle, his disturbing neighbour, his maybe crazy grandmother Diane, his former teacher Hugo. And this is mixed up with Sebastien’s attempts to seduce Claire then her mother Anne. And also Claire’s psychiatrist.Read More »
The lives of many individuals connected by the desire for happiness, often from sources usually considered dark or evil.
Quote:
Todd Solondz’s “Happiness” is a film that perplexes its viewers, even those who admire it, because it challenges the ways we attempt to respond to it. Is it a portrait of desperate human sadness? Then why are we laughing? Is it an ironic comedy? Then why its tenderness with these lonely people? Is it about depravity? Yes, but why does it make us suspect, uneasily, that the depraved are only seeking what we all seek, but with a lack of ordinary moral vision? In a film that looks into the abyss of human despair, there is the horrifying suggestion that these characters may not be grotesque exceptions, but may in fact be part of the mainstream of humanity.Read More »
Quote:
F. A. Brabec’s Král Ubu is a film for wide audiences made for the centennial of the first performance of French playwright Alfred Jarry’s Ubu Roi (1896). It is a cruel picture of the ways in which human beings acquire power and then cling to it. The story of Father Ubu, an idiot who climbs over the bodies of the dead to his royal post, is presented with a touch of the grotesque where naive comic elements meet black humor. Using a human touch, the film- makers were able to transform the original into a film aimed at a contemporary audience while remaining faithful to the vision of Father Ubu and Mother Ubu venturing everything in their efforts to seize power and mammon. Read More »
