
An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow ?Read More »
An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow ?Read More »
The framework action is this time the editorial meeting of a school newspaper. In five episodes, the film describes how school-age young women in search for (physical) love in precarious situations.Read More »
In “Die Nordkalotte”, Peter Nestler shows the transition of space in Lapland after Chernobyl nuclear accident while he continues the shots of river and valley from the top of mountains to sea. Deer and other animals in the vast space disappear gradually, and we see them caught to the space with a narrow cage at the end of this film. There’re rich information and physical sense which viewers can’t recognize on all other media. We should reconsider that Straub says “Operai,Contadini” is a challenge to talk-show on television. Although they’re co-productions with television, they support cinema where we support force of stare and concentration in the dark.Read More »
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A film about a connection between love and death, which is different from ‘Till death do us part’: If love for each other is more important than life, then the common, voluntary death is a possibility to preserve this love. And if life dies inexorably, then death is an attempt to preserve life. A film about an amour fou between a young doctor and a former teacher. She, daughter of German Jews who emigrated to France, returns to Germany one day: she escapes from her external reality (life in France) into an internal past (the memory of her childhood). The locations of this ‘love and death film’: the Rhine, where it is not romantic, but productive: dirty banks, chemical factories, nuclear power plants and hopeless sadness. Shabby hotel rooms in crummy dosshouses; the view of industrial suburbs where one can only die, but not live. A film of a desolate beauty.Read More »
John Erdman reprises his role as “Old White Male” from The Lobby, joined by a filmmaker and a robot version of himself, exploring absurdities of human existence through philosophical musings on cinema, technology, apocalypse, and more.
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In the near future where parenthood is strictly controlled, a couple’s seven-day assessment for the right to have a child unravels into a psychological nightmare.Read More »
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Ultimately stunning in its revelations, Lutz Dammbeck’s THE NET explores the incredibly complex backstory of Ted Kaczynski, the infamous Unabomber. This exquisitely crafted inquiry into the rationale of this mythic figure situates him within a late 20th Century web of technology – a system that he grew to oppose. A marvelously subversive approach to the history of the Internet, this insightful documentary combines speculative travelogue and investigative journalism to trace contrasting countercultural responses to the cybernetic revolution.Read More »