After a long and unsuccessful struggle to get pregnant, convinced by the discourse of an adoption association, Satoko and her husband decide to adopt a baby boy. A few years later, their parenthood is shaken by a threatening unknown girl, Hikari, who pretends to be the child’s biological mother. Satoko decides to confront Hikari directly.Read More »
In this autobiographical documentary, filmmaker Naomi Kawase seeks to reach her mother and father who abandoned her at birth.Read More »
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A look at the problems two couples, Kohei and Kinuko, and Manabe and Hijiri, have in their relationships, and the solutions they try to devise as a way out. Kohei and Kinuko, despite their age difference, seem like a happy pair, but their is an insurmountable distance between them. Kohei is married to another woman, and Kinuko, though she know he will never divorce, can’t bring herself to break off the relationship and start anew. Manabe and Hijiri, meanwhile, start off happily enough, but eventually their passion begins to wane as Manabe starts looking to other women for sex. Hijiri, feeling rejected, moves into an apartment next door to Kinuko, where she plots to break up the mismatched couple to her own advantage.Read More »
Kawase’s contribution to the 2009 Jeonju Digital Project.
A Japanese-Korean man (Kitamura Kizuki) travels to a village in Nara to fulfill his late grandfather’s final wish. A local woman (Nakamura Yuko) shows him around town, but the relationship grows into something beyond visitor-and-guide.Read More »
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In this creepy thriller, two people share the same house but do not realize the other is also there.Read More »
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About Tadashi Yoshimura’s maternity clinic where he practice “natural births” deep in the forest of Okazaki (Japan).
The Japan Times wrote:
The pain of childbirth, Genesis says, is God’s punishment for the original sin of womankind — if only Eve hadn’t given Adam that apple! But in Japan, traditionalists contend, it’s to be embraced, not lamented, since the deeper the agony, the deeper the motherly love. So hold the epidurals, please, we’re Japanese.Read More »
Juliette Binoche finds rapture in the forests of Yoshino
Jeanne (Juliette Binoche) travels to Japan to search for the rare medicinal plant ‘Vision’, which according to legend only appears once every 997 years under special conditions. On her trip, she meets Tomo, a forest ranger, who joins her in her quest and helps retrace her past. Twenty years earlier, in the same forests of Yoshino where Jeanne now hopes to find Vision, she experienced her first true love.Read More »
Dysfunctional family and culture run amok in Toilet, which had an absolutely packed house last night at the Toronto Reel Asian International Film Festival and had many of the cast & crew in attendance at the screening. The film certainly has it’s Toronto roots showing as it was filmed here (although it’s actually set in the US), with familiar faces & locations on screen. We follow a family through a dysfunctional and eccentric set siblings Ray, Lisa and Maury and their grandmother from Japan, however a language barrier exists between the generations. It’s not the only barrier here as there are strong emotional barrier in each of the characters, all of whom have their own issues to work though. It’s an interesting tale of the individual journeys with the collective family journey, which although unintended become completely intertwined.Read More »
On a summer day, a small Japanese restaurant by the name of Ruokala Lokki (The Seagull Canteen) opens for business in the Punavuori district of Helsinki. The restaurant is run by 38-year-old Sachie who wishes to offer her Finnish patrons not only Japanese food but Japanese-style food for the soul, too. Attracting Finns to the small restaurant run by a lone Japanese woman proves quite difficult, however.
Luckily Sachie gets to know Midori and her restaurant’s only customer, Tommi Hiltunen, with the help of whom she slowly begins to bring in more customers and settle down in her new life. Kamome Shokudo is a charming little tale of people in the middle of a foreign culture. The film is based on a novel by popular Japanese writer Yoko Mure. Director Naoko Ogigami received an award at the Berlin International Film Festival for her previous film Barber Yoshino.Read More »