Patrick Bokanowski

Patrick Bokanowski’s extraordinarily intimate portrait of Henri Dimier at work focuses as much attention on the personality of the materials as on the painter himself. Only fitting, as Dimier repeatedly insists that the artist’s vocation is to let the paper “be aware of itself” and takes obvious pleasure showing the proper way to sharpen a pencil. Dimier demonstrates several playful exercises to cultivate an all-important sense of spontaneity while he approaches teaching as another opportunity for improvisation. “If you lose your momentum you lose your freedom,” Dimier opines. And indeed Bokanowski’s portrait exemplifies the benefit of sustained attention. – Max GoldbergRead More »

PLOT:
A housewife is preparing a duck à l’orange in her kitchen. But the reluctant bird tries to escape from her but the woman manages to recaptures it and plucks it savagely. Once the duck is put in the oven, an alligator unexpectedly appears in the kitchen, threatening the cook. She tries to escape from it first, then pursues it and finally sits down at the table with it. Meanwhile, the duck succeeds in opening the the door of the oven and flies away through the open window.Read More »

Quote:
Walking towards the fire. In a ceaseless stream of light, people, landscapes and objects lead us to mysterious regions. French filmmaker Patrick Bokanowski’s work is hard to classify – and all the richer for it. Together with his wife Michèle, whose musique concrète compositions form the basis of the sound design, Bokanowski offers a prolonged, dense and visually visceral experience of the kind that is rare in cinema today. Difficult to define and locate, its strangeness is quite unique.Read More »

Quote:
Film directed from the play Orpheon, directed by François Tanguy, played by the Compagny of Raft.Read More »