Senegal

This Senegalese melodrama tells the story of a young girl called Mossane who lives in a village between the ocean and the savannah. There, veneration for the traditions is very common. There’s a legend saying that every other century a girl is born who is doomed because of her beauty. Mossane is only fourteen years old but is already considered to be extraordinary beautiful. Even her own brother is in love with her. According to the custom she has been promised to a rather wealthy man called Diogoye since the day of her birth. However, Mossane is in love with the poor student Fara who is forced to return to the village while the university is on strike. Torn between her own dreams and traditions, Mossane decides to escape. The film shows the resistance of the young generation and is dedicated especially to the African women, their courage and their wish for emancipation.Read More »

A young couple in Senegal must contend with the disapproval of their remote village.Read More »

In precolonial Senegal, members of the Ceddo (or “outsiders”) kidnap Princess Dior Yacine (Tabata Ndiaye) after her father, the king, pledges loyalty to an ascendant Islamic faction that plans to convert the entire clan to its faith. Attempts to recapture her fail, provoking further division and eventual war between the animistic Ceddo and the fundamentalist Muslims, with Christian missionaries and slave traders from Europe also playing a role in the conflict. Banned in Senegal upon its release, Ceddo is an ambitious, multilayered epic that explores the combustible tensions among ancient tradition, religious colonization, political expediency, and individual freedom.Read More »

With revolutionary outrage, Ousmane Sembène chronicles a period during World War II when French colonial forces in Senegal conscripted young men of the Diola people and attempted to seize rice stores for soldiers back in Europe. As the tribe’s patriarchal leaders pray and make sacrifices to their gods, the women in the community refuse to yield their harvests, incurring the French army’s wrath. With a deep understanding of the oppressive forces that have shaped Senegalese history, Emitaï explores the strains that colonialism places upon cultural traditions and, in the process, discovers a people’s hidden reserves of rebellion and dignity.Read More »

Quote:
Ramata is a spellbindingly beautiful woman in her fifties. She has been married for thirty years now to Matar Samb, a very rich man, a former prosecutor who is now Minister of Justice. They live in Les Almadies, an elegant neighborhood of Dakar. Ngor Ndong is twenty-five. He is young, strong, mysterious and homeless. He is an occasional petty crook, known to the police. One evening, in a taxi that Ngor Ndong just happens to be driving, Ramata, reticent at first, finally agrees to follow this young man half her age to the Copacabana, a dive in the seediest part of Dakar.Read More »

Ousmane Sembène was one of the greatest and most groundbreaking filmmakers who ever lived, as well as the most renowned African director of the twentieth century—and yet his name still deserves to be better known in the rest of the world. He made his feature debut in 1966 with the brilliant and stirring Black Girl. Sembène, who was also an acclaimed novelist in his native Senegal, transforms a deceptively simple plot—about a young Senegalese woman who moves to France to work for a wealthy white family and finds that life in their small apartment becomes a prison, both figuratively and literally—into a complexly layered critique of the lingering colonialist mind-set of a supposedly postcolonial world. Featuring a moving central performance by M’Bissine Thérèse Diop, Black Girl is a harrowing human drama as well as a radical political statement—and one of the essential films of the 1960s.Read More »

Publisher’s description:
The 1970 colour full-lengh film Badou Boy, a south-Sahara “cops and robbers” movie, “it’s a part of my youthful years, many Africans empathizes with the amoral waif, the movie character that is so similar to me”, declared the director. Shot in 16mm, it won the gold medal at the MIFED of Milan and the golden Tanit at 1970 Cathage Festival.Read More »

Publisher’s description:
The satirical documentary Contras’ City (which stands for Contrast City) was shot on 16mm in 1968. It is one of the earliest African comic movie and an urban planning analysis of the “two Dakars”. It is considered the first African comedy. It is a satire on Dakar – a city in which styles and cultures are blended in a cosmopolitan small area. Mambety manipulates the classic documentary apparatus with the object of exploring social conflicts of the capital city.Read More »

A young girl, Kodou, submits herself, somewhat out of bravado, to a tattooing practice. But in the middle of the ceremony, and while the matrons are singing to her, Kodou runs away – a serious offence to the age-old traditions of the village. Kodou’s family feels discredited, her friends make fun of her. Confined to a quasi-quarantine, Kodou goes mad and violently attacks the young children. Her parents end up taking her to a psychiatric hospital run by a European doctor, but to no avail. They then decide to submit her to a traditional exorcism session. Then Kodou is brought back home. Will she be cured?Read More »