Prométhée… banquier (1921)
Synopsis:
Mr. Prévoyan, a wealthy banker, is a man who is lucky. If everything he touches turns to gold, the medal on his reverse. Indeed, riveted to his desk by his business, he did not notice that an idyll had formed between the beautiful Gaby, object of his affection, and his own secretary, Toudieu.Read More »
L’étoile de mer (1928)
Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, “Adieu.” Images: the beautiful girl, a starfish in a jar, city scenes, newspapers, tugboats. More images: starfish, the girl. “How beautiful she is.” Repeatedly. He advances up the stair, knife in hand, starfish on the step. Three people stand on a road, out of focus. “How beautiful she was.” “How beautiful she is.” “Beautiful.”Read More »
Nana (1926)
When the vivacious and beautiful Nana bombs at the Théâtre des Variétés, she embarks on the life of a courtesan, using her allure and charisma to entice and pleasure men.Read More »
Quote:
Spanning fifty-three movies and forty-one editions of the Olympic Games, 100 Years of Olympic Films: 1912–2012 is the culmination of a monumental, award-winning archival project encompassing dozens of new restorations by the International Olympic Committee. The documentaries collected here cast a cinematic eye on some of the most iconic moments in the history of modern sports, spotlighting athletes who embody the Olympic motto of “Faster, Higher, Stronger”: Jesse Owens shattering world records on the track in 1936 Berlin, Jean-Claude Killy dominating the Grenoble slopes in 1968, Joan Benoit breaking away to win the Games’ first women’s marathon in Los Angeles in 1984.Read More »
Vienna in the biggest depression, directly after WW1. In a slum, Lila Leid, the wife of lawyer Leid is murdered, Egon, secretary of one of Leid’s clients is arrested. He was with her, and had her necklace, because he needed some money for his own stock exchange deals. The same deal brings poverty to ex-government official Rumfort, his daughter Greta, who also has lost her job, tries to get some money to get food. She rents a room of the flat she, her young sister and her father are living in to an American Red Cross official, who pays $60 rent, but the money is taken by some of her father’s creditors. But their neighbour, shop owner Mrs Greifer knows how to “help”, she and Mrs. Merkel are running a nightclub with a brothel…Read More »
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Despite the fact that, contrary to Bettauer’s book, the film is more a comedy rather than a real plea against antisemitism, and that it includes pretty negative archetypes against Jews, screenings of the film were actually subject to disturbances by NSDAP members. Furthermore Bettauer, who had not approved the changes made by Brelauer, was assassinated a few months later by a Nazi who, although accused as an “assassin”, had to spend only a few months in various mental hospitals and was released in 1927 without further requirements.Read More »
Synopsis:
Lash of the Czar was one of several English-language titles for the Russian film Belyi Orel. The film was based on The Governor, a play by Leonid Andreyev. V.I. Kachalov plays the governor of a small Russian province who tries to treat the people under his authority with kindness and equanimity. But when a local factory goes on strike, the governor buckles under to pressure from the Czar and orders the wholesale slaughter of the strikers. He pays for this betrayal of his trust with his life — at the hands of a courageous Bolshevik spy. Anna Sten, who in 1934 was brought to the U.S. as Sam Goldwyn’s “answer” to Greta Garbo, appears as the governor’s wife. ~ Hal Erickson, RoviRead More »
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Can you find happiness in the big city? The young hat maker Natascha, who lives with her grandfather in a suburb covered in winter snow, has to commute by train from the village to Moscow to deliver her creations to the extravagant Irene’s hat shop. For the administration, Irene claims Natascha to be her subtenant in order to be able to have more living space. The clumsy railway official woos the lovely country girl with his ravishing smile. But she enters into a fictitious marriage with the provincial Ilya in order to get him a room in Moscow. With an apparently worthless lottery ticket, which Irene’s husband gives to Natascha, the entanglements become turbulent. Boris Barnet describes the contrasts between city and country and the new living conditions in Moscow in a stylish and socially critical way. Three great acting talents, Anna Stén, Iwan Kowal-Samborski and Vladimir Fogel, form the triangle of relationships. Originally ordered as a vehicle to advertise the State Lottery, the film made the studio rich and the natural talent director Boris Barnet famous as the founder of lyrical comedy.Read More »
