1980s

Uni to Dokuyaku (1987)
July 22, 1987
FILM: ‘SEA AND POISON,’ FROM JAPAN
By Walter Goodman
Published: July 22, 1987

LEAD: EARLY in ”The Sea and Poison,” the harrowing Japanese movie now at Film Forum 1, a surgical team performs a lung operation on a young woman. It is probably the most graphic view that most of its audience will ever have had of the scalpel and forceps doing their work, and you may find yourself joining the young intern Suguro, who confesses, ”Today in the operating room, I had to close my eyes.

EARLY in ”The Sea and Poison,” the harrowing Japanese movie now at Film Forum 1, a surgical team performs a lung operation on a young woman. It is probably the most graphic view that most of its audience will ever have had of the scalpel and forceps doing their work, and you may find yourself joining the young intern Suguro, who confesses, ”Today in the operating room, I had to close my eyes.”Read More »

Quote:
Wow!–I just finished watching “The Little Drummer Boy.”
Previously I had thought that I knew quite a bit about Gustav Mahler, but Leonard Bernstein showed me more.

What Bernstein does is show you–through biographical commentary and excerpts from Mahler’s music–just what it was that made this masterful composer and conductor so obsessed with Life and Death.

Yes, part of it was Mahler’s being born Jewish, and part was seeing so many of his brothers and sisters die so early in life. But Bernstein shows us how Mahler was, like most of us, striving to try to come to terms with life–to understand why death has to come and deprive us of the joys of life.

To give you an idea of how concrete, knowledgeable and specific this program is, Lenny takes a few minutes, using musical excerpts, to illustrate how there is a funeral march in each of Mahler’s nine symphonies.Read More »

People who dial 976-EVIL receive supernatural powers and turn into satanic killers.Read More »

“Prisoner of Rio is a 1988 drama film directed by Lech Majewski and starring Steven Berkoff, Paul Freeman and Peter Firth. It shows the flight of the Great Train Robber Ronnie Biggs to Brazil and the attempts of Scotland Yard detectives to re-capture him.Read More »

Something Like an Autobiography
by Akira Kurosawa

Published by Vintage | 1983 | 205 pages

Description:

Quote:
Among Japanese film makers, no one is perhaps as universally known as Akira Kurosawa.

“Something like an Autobiography” is an account of the legendary director’s early life. It is only a partial account, encompassing his childhood, adolescenct years, the early years of his film career, up to the point of Rashomon. Nonetheless, the book benefits anyone keen for understanding the man behind such remarkable films as Seven Samurai, Ikiru, Rashomon, and Dersu Uzala among others. Kurosawa’s films were – Stuart Galbraith IV writes in the introduction to his book “The Emperor and the Wolf” – first and foremost, deeply humanist pictures, films which effortlessly transcend cultures and centuries. Something like an Autobiography helps one understand the evolution of the artist Kurosawa, the influences that shaped his vision.Read More »

IMDB:
Another Masterpiece by Chantal Akerman, 18 November 2009
10/10
Author: kubrick2899 from Concord, North Carolina

THE EIGHTIES marks the turning point in Chantal Akerman’s career. It stands as the end of her more experimental films of previous years and as the beginning of her more mainstream efforts of later years. The bulk of the film consists of auditions and rehearsals for a musical. In the final act, we get to see some segments of that musical. It’s a wholly original and brilliant motion picture experience. Like most of Akerman’s films, though, it’s not for everyone. Her films are experiences for those who aren’t into mainstream cinema. The songs in the film are catchy and unforgettable, and it’s a special treat to see Akerman herself pop in a few times and give the performers some direction. The only downside of this film is that it’s only available on an old VHS. The Criterion Collection has gotten a hold on her earlier films; maybe some day they’ll get a hold of this one, as well. Another interesting aspect to this film is that it serves as a prelude to her next feature film, GOLDEN EIGHTIES or WINDOW SHOPPING.Read More »

Toute une nuit presents a series of brief, disconnected, near silent vignettes that capture the inherently intimate episodes that transpire throughout the course of human relationships. A woman (Aurore Clement) deliberates on placing a telephone call to an absent lover before deciding to hail a taxicab to his apartment. A man and a woman sitting at adjacent tables of an anonymous bar exchange reluctant, fleeting glances as they wait in vain for their respective lovers to arrive, and eventually succumb to an impulsive, awkward embrace. An unconcerned young woman smokes a cigarette as she sits in a diner with two young men before being confronted to choose between them. A hurried man misses an opportunity to meet his lover outside her home. A middle-aged couple awaken to the noise of an off-the-air television set and decide to go out for the evening. A woman hurriedly packs her belongings into a suitcase and sneaks out of the apartment only to return home at dawn to her oblivious, sleeping husband. Lovers consummate their relationship or part to their separate ways at entrances and stairwells of impersonal apartment buildings.Read More »

Directors:
Chantal Akerman, Bernard Dubois, Philippe Garrel, Frederic Mitterand, Vincent Nordon, Philippe Venault

“Two young French filmmakers, Bernard Dubois and Philippe Venault, had the provocative idea of making a follow-up to the 1964 anthology film, Paris vu par, that became a manifesto for the emerging directors of the New Wave. Unfortunately, the unity of that movement is long gone, and this new project is wildly uneven, ranging from the brilliant (Chantal Akerman’s opening sketch, J’ai faim, j’ai froid, is an entire coming-of-age film compressed into 12 frenetic, hilarious, and ultimately touching minutes) to the intriguing (Philippe Garrel’s Rue Fontaine offers a rare Stateside opportunity to see the work of this acclaimed avant-gardist, whose work suggests a crossing of John Cassavetes with early German expressionism) to the mediocre (the segments by Dubois, Venault, and Frederic Mitterrand) to the unwatchable (Vincent Nordon’s Paris-Plage, certainly the longest 13 minutes in film history). A sad lesson emerges–that the French have no more new ideas than we do–but the Akerman itself is worth it all.” -Jonathan RosenbaumRead More »

In the year 2000, Jonas is 25 years old and lives in Ireland. Disillusioned with his life as a pub barman, he decides to give up everything and live with a mysterious old man, Yoshka, at a run down garage in the middle of no-where. At first, the old man taunts Jonas, giving him useless tasks to do, such as attending a derelict petrol pump. This drives the young man to distraction and he tries to kill himself. Impressed by his young disciple, Yoshka finally decides to share with him his fantastic secret…Read More »