Woody Allen – Jean-Luc Godard? This might seem an odd combination to many American film lovers, at least to much of Woody’s loyal audience, trying hard to be highbrow and intellectual, but not perhaps all that much interested in the challenges of a mischief-maker like JLG. As it happens this is a highly entertaining and somewhat informative look at both filmmakers as they are passing through middle age (Allen 51, Godard 56), lamenting the loss of cinematic and artistic innocence through the corruption of TV and at the same time celebrating their own longevity and continued relevance in the small world of art-cinema. I was especially intrigued by Godard’s use of title cards and the couple of shots of him playing around with videocassettes and books, and a still photo near the end of the film that I think was of Allen around the “Take the Money and Run” days but may have in fact been Godard; both are small, owlish men and the similarities both physical and intellectual are certainly played up here.Read More »
1980s
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Jean-Luc Godard – Meeting Woody Allen (1986)
1981-1990FranceJean-Luc GodardShort Film -
Jean-Luc Godard – Je vous salue, Marie AKA Hail, Mary (1985)
1981-1990ArthouseDramaFranceJean-Luc GodardIn this contemporary retelling of the birth of Christ, the Virgin Mary is a gas station employee and Joseph her taxi-driving boyfriend. Mary is an ordinary teenager playing basketball, but who vows to maintain her chastity. Following a warning from an avuncular angel, a confused Mary unexpectedly falls pregnant and is forced to wed Joseph. He in turn must love his virgin bride from a distance, revering her without touching her.Read More »
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Jean-Luc Godard – Sauve qui peut (la vie) aka Slow Motion (1980)
Drama1971-1980ArthouseFranceJean-Luc GodardNoel Megahy @ DVDTimes.co.uk wrote:
During the 1970’s Jean Luc Godard abandoned the notion of making normal commercial films for cinematic distribution in favour of his Marxist-Leninist ‘Dziga Vertov’ propaganda films. The director returned to regular filmmaking in 1980 with Sauve Qui Peut (La Vie), his first theatrical release since his furious outburst against modern bourgeois society in 1967 with Weekend. Delivering another hate-filled attack on almost every aspect of modern society, it’s like he had never been away.Read More »
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Jean-Luc Godard – King Lear (1987)
1981-1990DramaJean-Luc GodardSci-FiThe Cannon GroupUSAWilliam ShakespeareA film about “no thing” and everything, as Shakespeare the Fifth (Peter Sellars) tries to reclaim humanity’s lost artworks after Chernobyl—but not before crossing paths with a gangster Don Learo (Burgess Meredith) and his Cordelia (Molly Ringwald). One of Godard’s most densely layered inquiries into the discord between sound and image. Featuring Woody Allen and Leos Carax.Read More »
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Jean-Luc Godard – Lettre à Freddy Buache (1981)
1981-1990FranceJean-Luc GodardShort FilmQuote:
This short film is Godard’s message to the people of Lausanne, specifically Freddy Buache, giving his reasons why he will not make a film about their town’s 500th anniversary.First Godard expresses his frustration with the town. When attempting to film on the side of a highway, they were forced to stop filming by the local authorities. The officer said they could only stop for an emergency. Godard replied that it was an emergency because the light was perfect. The officer wasn’t understanding, and Godard complains that it could take 5 years of shooting to get the necessary lighting again.Read More »