Chris Haywood

During the 1930s in the remote highlands of Australian Tasmania, Ruby Rose (Melita Jurisic – Mad Max: Fury Road) lives with her husband, Henry (Chris Haywood – Muriel’s Wedding), and stepson, Gem (Rod Zuanic – Mad Max Beyond Thunderdome).
Ruby is alone for much of the time and, afraid of night’s darkness, she concocts elaborate mythical stories to survive, retreating into a private world. Eventually, she sets out to reconnect with her estranged father, and in the process recovers her past, and transcends the fear that had gripped her so tightly.Read More »

Synopsis:
Two woman, the elder in her early forties. the younger in her twenties. They are good friends. The older woman. Sarah, is an artist, a painter, who has first and foremost found solace and sexual fulfillment in her work. The young woman, Christine who often models for Sarah’s art classes. is heartbroken about her lover: the man does not understand her.
We watch the close rapport between the two women as Christine patiently poses for Sarah’s rather whacky group of students. After classes, Christine talks about her relationship with Roderick. ” I used to really like him. Sometimes I still do”. He’s even jealous of her posing for art classes. Says she doesn’t have the body.Read More »

The wealthy Edward (Haywood) sparks to Anna (Mckenzie), the lead voice in a choir that’s raising money for an upcoming trip to China. He donates money to her choir, and she agrees to sit for him for a series of still-life drawings. As Anna is drawn more into Edward’s life, their relationship — quite platonic — nevertheless causes problems at home for Anna, who lives with David (Blabey), a frustrated artist.Read More »

From IMDB:
“A tantalizing meditation on faith, mystery, and imagination.

Sometime in the Middle Ages, a group of men living in fear of the Black Death follow the visions of a nine year-old boy (Hamish MacFarlane) to go on a pilgrimage by digging a tunnel through the center of the earth (!) emerging instead in twentieth century New Zealand (!) where they try to complete their journey by erecting a cross atop a church steeple. A willing suspension of disbelief (or the kind of unquestioning faith that the main characters have) never hurts when watching something like this, but if you’re in the right frame of mind, this fable will gradually draw you into its tantalizing meditation on faith, mystery, and imagination.”Read More »