Harry Baur

A red-haired boy is his mother’s punching bag ; only his father’s presence is a great comfort to him,but this weak man is under the shrew’s thumb. His pain is so great he feels suicidal.Read More »

An excellent little suspense thriller with an air of the occult, filmed on location in Morocco by Julien Duvivier. Two versions were made: a German version with Anton Walbrook, and this French version with René Lefèvre and Harry Baur.

One by one, a group of five travellers starts to die, apparently the result of a sorcerer’s curse…Read More »

If one were to gather the hundreds of books written about Ludwig van Beethoven, sift through each with a fine-tooth comb, and extract every simple mistake, wild speculation, and outright falsehood, the result would still be nowhere near as fabulous and artificial as this 1936 biopic, which rewrites the composer’s life story into a throbbingly melodramatic tale of genius ignored and love unrequited. Director Abel Gance, best known for his expansive silent classic Napoleon, wasn’t interested in the truth of Beethoven’s life, but instead the romantic ideal of a great man tormented by history; Gance’s Beethoven is merely a variation of the filmmaker’s beloved Bonaparte, triumphant yet scorned by his inferiors in the artistic realm rather than the political. (Needless to say, among the film’s many omissions is Beethoven’s bitter rededication of the “Eroica” Symphony.)Read More »

Vautier, a wealthy surgeon in his fifties, falls in love with Hélène, a young woman from a modest background. He allows her to have a string of short-lived lovers – but when Jean Trapeau, an old boyfriend, resurfaces, things get complicated.Read More »

A rich widow, nostalgic for the lavish parties of her youth, embarks on a journey to reconnect with the many suitors who once courted her. In doing so, she sets off on a course of discovery, both of herself and of how greatly the world has changed in two decades. Julien Duvivier’s smash hit is a wry, visually inventive tale of romantic pragmatism that deftly combines comedy and drama.Read More »

Pierre Blanchar plays the murderer Raskolnikov, and Harry Baur is the police inspector on his trail…

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Crime et châtiment is one of the overlooked masterpieces of 1930s French cinema, an early and almost faultless adaptation of Fyodor Dostoyevsky’s celebrated 1866 novel Crime and Punishment. One of the reasons for the film’s comparative obscurity is that it was released in the same year as Josef von Sternberg’s better known American adaptation which starred Peter Lorre and Edward Arnold. The French version appears to have been heavily influenced by an earlier silent adaptation Raskolnikow (1923) from the renowned German filmmaker Robert Wiene, whose best-known work – Das Cabinet des Dr Caligari (1920) – is powerfully evoked in this film’s staging of the pivotal murder scene.Read More »