Lars Hanson

  • Gustaf Molander – Till Österland AKA To the Orient (1926)

    Gustaf Molander1921-1930DramaScandinavian Silent CinemaSweden

    Quote:
    Gustaf Molander was the one who primarily would be asked to continue Sjöström’s and Stiller’s work. He was also the film company’s chief negotiator with Lagerlöf, and someone she did not like. “Molander has just left. He is a remarkably dead and uninteresting character, although he is such a fine person. The matter concerned that which you had just told me about, to ask whether I had any good ideas in stock, which I could pass on to them […] He was not very informed about my novels, I must say […].

    Swedish Film: An Introduction And Reader (2014)Read More »

  • Clarence Brown – Flesh and the Devil (1926)

    Clarence Brown1921-1930DramaSilentUSA

    Childhood friends are torn apart when one of them marries the woman the other once fiercely loved.Read More »

  • Victor Sjöström – The Wind (1928)

    1921-1930SilentUSAVictor SjöströmWestern

    Letty moves to West Texas from the East and it seems that the wind always blows and the sand gets everywhere. While living with relatives, she finds that she is not welcomed by the wife. With no where to go, she marries a man who disgusts her. Her new home is a small shack with the wind and the sand constant companions. When it is necessary for most of the men to go out into the sand storm, one stays back to have his way with Letty and that costs both of them.Read More »

  • Mauritz Stiller – Balettprimadonnan AKA Anjala the Dancer (1916)

    Mauritz Stiller1911-1920DramaScandinavian Silent CinemaSweden

    The musician Wolo is in love with the beautiful peasant girl Anjuta. She is forced, by her stepmother who runs a speakeasy, to dance for the drunken guests of the tavern. Restored by The Swedish Film Institute in 2016.

    Quote:
    A first preservation of Mauritz Stiller’s Balettprimadonnan was carried out in 1994, from a fragment of a tinted and toned nitrate print with Spanish intertitles found in Zaragoza, Spain. In 2015, the Filmoteca Espanola in Madrid identified a second fragment with Spanish intertitles of the film in its collections, originating from the same nitrate print, meaning that approximately half of the film has survived.Read More »

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