Margarita Terekhova

  • Aleksandr Stolper – Chetvyortyy AKA The Fourth (1972)

    1971-1980Aleksandr StolperDramaUSSR

    wikipedia wrote:
    The Second World War. The crew of an American aircraft falls into the German camp. Three members of the crew decide to sacrifice their lives to let the other prisoners to escape. The film’s protagonist – the fourth member of the crew (He) – wants to join them, but the commander and fellow soldiers denied him, as for the implementation of planned to only three, and four people suspected Nazi cause and make an escape plan unfeasible. Saying goodbye to departing for the death of friends, the protagonist says:Read More »

  • Andrei Tarkovsky – Zerkalo AKA Mirror (1975) (HD)

    1971-1980Andrei TarkovskyArthouseDramaUSSR
    Zerkalo (1975) (HD)
    Zerkalo (1975) (HD)

    A dying man in his forties remembers his past. His childhood, his mother, the war, personal moments and things that tell of the recent history of all the Russian nation.Read More »

  • Andrei Tarkovsky – Zerkalo AKA The Mirror [+Extras] (1975)

    1971-1980Andrei TarkovskyArthouseDramaUSSR

    SYNOPSIS
    With Zerkalo (The Mirror), legendary Russian filmmaker Andrei Tarkovsky crafts perhaps his most profound and compelling film. What started off for Tarkovsky as a planned series of interviews with his own mother evolved into a lyrical and complex circular meditation on love, loyalty, memory, and history. Time shifts and generations merge as a single extraordinary actress (Margarita Terekhova) plays the narrator’s former wife as well as his mother. Tarkovsky’s memories as well as those of his mother are intermingled as a dark, sumptuous, and dreamlike pre-World War II Russia is evoked, accompanied throughout by the voice of Tarkovsky’s father reading his own elegiac poetry. The spectacle of nature and its ubiquitous and ever-shifting presence is captured by Tarkovsky’s camera as if by magic–the family cabin nestled deep in the verdant woods, a barn on fire in the middle of a gentle rainstorm, a gigantic wind enveloping a man as he walks through a wheat field–all creating indelible images with deep if mysterious emotional resonance. As the timeline shifts between the narrator’s generation and his mother’s, newsreel footage of Russian wars, triumphs, and disasters are juxtaposed with imagined scenes from the past, present, and future, crafting a silently lucid cinematic panopticon of memory, history, and nature. (Rotten Tomatoes)Read More »

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