Melvyn Douglas

  • Peter Ustinov – Billy Budd (1962)

    1961-1970AdventurePeter UstinovUnited Kingdom

    H.M.S. Avenger is headed into battle against the French fleet during the Napoleonic Wars, and the dark shadow of two recent mutinies in the English fleet concern Captain Vere. He relies on his cruel and often sadistic Master-at-Arms John Claggert to maintain what he believes to be tenuous order and discipline aboard the ship. When a new seaman, Billy Budd, is pressed into service from a passing merchantman, his innocent, happy-go-lucky attitude quickly endears him to both his messmates as well as the ship’s officers. However, his charismatic naivete seems to bother Claggert, whose perverse depravity makes him resent Billy’s good-natured purity, especially after the teenager’s promotion to fore-top captain. The mean-spirited Claggert unfairly plots to put him on report and ultimately perjures himself when he accuses Billy of conspiring to mutiny.Read More »

  • Ernst Lubitsch – Ninotchka (1939)

    USA1931-1940ClassicsComedyErnst LubitschScrewball Comedy

    Synopsis:
    Ninotchka is a stern, straightlaced Communist Party member sent to Paris to finish the sale of Grand Duchess Swana’s jewels for the Soviet government. But, while studying the frivolous materialism of Paris, Ninotchka meets Leon, Swana’s lawyer and sometime lover, and the two become enamored with one another — without knowing each other’s identity. The Grand Duchess, in the meantime, is suing the USSR for ownership of the jewels. What follows is a delicate web of intrigue and deception as Swana tries to blackmail Ninotchka into leaving Paris. Soon the two lovers have to overcome political hurdles and cross borders just to be together.Read More »

  • George Cukor – Two-Faced Woman (1941)

    USA1941-1950ComedyGeorge CukorRomance

    29f7c043f76a2bde437fd0d52a185152

    Plot Synopsis by Paul Brenner
    Attempting to Americanize Greta Garbo to appeal to American audiences (since most of the foreign markets for Hollywood product had been cut off due to World War II), M.G.M.’s Two-Faced Woman succeeded in making Garbo angry enough to announce her retirement from the screen. Two-Faced Woman was Garbo’s final screen appearance, as the legendary actress slipped into a reclusive existence that lasted until her death. This George Cukor romantic comedy casts Garbo as ski instructor Karin Borg Blake. She gives lessons to wealthy American playboy Larry Blake (Melvyn Douglas), and the two fall in love and marry even though Larry has a girlfriend named Griselda Vaughn (Constance Bennett) waiting for him back in New York. Returning to New York, Karin fears that Griselda will win Larry back. In an effort to foil Larry’s imagined dalliance, Karin poses as her own twin sister, Katherine, hoping to get Larry to fall in love with her instead of Griselda. Larry is onto the scheme and plays along with her, pretending to fall in love with Katherine. But this infuriates Karin, who can’t believe that her husband would fall in love with her sister, and she storms back to her ski resort..
    Read More »

  • George Cukor – A Woman’s Face (1941)

    1941-1950DramaGeorge CukorUSA

    29f7c043f76a2bde437fd0d52a185152

    Quote:
    A supposedly superior remake of the 1938 Swedish film of the same name that starred Ingrid Bergman. It’s based on the French play Il etait une fois by Francis De Croisset and written by Donald Ogden Stewart and Elliot Paul. Capable studio director George Cukor (“The Women”/”Susan and God”) does his usual fine job handling actors, creating a finely drawn tense atmosphere as he makes the best of this ridiculous courtroom melodrama into a pleasing film despite the inane dialogue and incredulous machinations in the storytelling. Joan Crawford jumped at the chance to star in this juicy role despite having to play a facially disfigured woman (at least for half the film), which she was advised by even Louis B. Mayer (MGM head) that it could be costly for the glamour actress in the future. Instead it turned out to be one of her more acclaimed roles and did nothing but promote her career further as a serious dramatic actress (she won an Oscar for Mildred Pierce in 1945, which she claims this film had a cumulative effect in helping her win that award). Crawford’s scar makeup was credited to Jack Dawn, who created makeup for such films as The Wizard of Oz (1939) and Dr. Jekyll and Mr. Hyde (1941).Read More »

Back to top button