Peter Nestler

In “Die Nordkalotte”, Peter Nestler shows the transition of space in Lapland after Chernobyl nuclear accident while he continues the shots of river and valley from the top of mountains to sea. Deer and other animals in the vast space disappear gradually, and we see them caught to the space with a narrow cage at the end of this film. There’re rich information and physical sense which viewers can’t recognize on all other media. We should reconsider that Straub says “Operai,Contadini” is a challenge to talk-show on television. Although they’re co-productions with television, they support cinema where we support force of stare and concentration in the dark.Read More »

Synopsis
The Ruhr, a present heavy with anger: the issue of resistance, of fighting against fascism, of the workers’ movement. There is also the question of the overwhelming rage that can surge up when faced with the reality of defeats, with no consolation or reconciliation. (-cinemadureel.org)Read More »

The city of Marseille, close to the estuary of the Rhône River, has long been recognized as an important transit port for all of Europe. Nestler’s film is set against the backdrop of the industrialization at Fos-sur-Mer, some 32 kilometers northwest of Marseille. It gives an account of the port’s development since the late 1960s. In addition, Fos-sur-Mer recalls the living conditions of some 7.000 laborers working on this industrial site.Read More »

Pachamama is another fine example of Peter Nestler’s extraordinary documentaries. He takes us on an expedition to Ecuador, to the heart of an ancient Indian culture. Although heavily damaged by the Spanish conquerors, many of the old treasures and, more remarkably, many of the old traditions and customs have survived and are still in practice today. It’s a film of quiet beauty and sadness, but of a sadness that is friendly and not bitter; a film about the cultural wealth of a fascinating country. (Ted Roth, -viennale.at)Read More »

»The Open View – Artists of the Sinti and Roma« presents artists of the Sinti and Roma who shape the trauma of persecution and very personal experiences in their works. They use a wide variety of forms of expression and means, but what they all have in common is an open view.
Peter Nestler succeeds in making this tangible by meeting them without cultural fixations and at eye level. Gitta Martl and her daughter Nicole Sevik read short texts. They commemorate the Sinti and Roma in the Austrian »gypsy detention camp« Weyer.Read More »

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A historical socio-political depiction of the development of Chile since the 16th century and until the coup d’etat. The country’s dependancy on foreign capital is made clear as well as the strength of the bourgeoisie in comparison to other third world countries. The film mainly consists of still images.
Filmcentrum catalouge no 23Read More »

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Today, the «Römerstrasse» in Italy’s Aosta valley, is a significant traffic artery in the center of modern Europe. Nestler’s journey explores the moving history of the Aosta valley, which passed through many hands – from the Roman Empire to Burgundian and Frankish kingdoms – until it was acquired by Italy in the 11th century. The now busy motorway, which runs from the Po Valley to the Great and Little St. Bernhard passes, is revealed through the timeless eyes of a historian. At the same time, the documentary sheds light on cultural traditions and contemporary life in the region.Read More »

Pachamama is another fine example of Peter Nestler’s extraordinary documentaries. He takes us on an expedition to Ecuador, to the heart of an ancient Indian culture. Although heavily damaged by the Spanish conquerors, many of the old treasures and, more remarkably, many of the old traditions and customs have survived and are still in practice today. It’s a film of quiet beauty and sadness, but of a sadness that is friendly and not bitter; a film about the cultural wealth of a fascinating country. (Ted Roth, -viennale.at)Read More »

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Peter Nestler’s poetic documentary Verteidigung der Zeit is not only an hommage to Jean-Marie Straub’s and Danièle Huillet’s film Quei loro incontri (2005), but also to their access to cinema itself. In various encounters and conversations Nestler offers an insight into their life and work, including passages from Italian poet Cesare Pavese.Read More »