Philip Dorn

A late entry from Frank Borzage and hs first “prestige” picture in years, after being cut loose from the Majors during his personal heyday of the 1920s and 30s.

This was Republic’s first Technicolor feature (and Borzage’s second). The color palette Republic concocted for the film is bizarre to say the least – dominant are pinks, purples, wedgewood blues, mauve, taupe, lilac, with highlights of orange aqua and apricot. The general tone of hyperreality is enhanced further with set design that extends to underfurnished rooms, and cavernous spaces and headroom, like the concert hall wiith virtually surreal intrusions of doric columns and poritcos as decorative objects.Read More »

American Wartime Film: Chetniks! The Fighting Guerrillas (1943)
by Carl Savich

The 1943 American movie Chetniks! The Fighting Guerrillas is a time capsule that shows how Draza Mihailovich and the Chetnik guerrillas were integral parts of the American and Allied war effort. At the height of World War II in 1943, the movie demonstrated their influence and impact on the “greatest generation”. The movie had a widespread impact not only on the American home front, but globally as well. The American public needed a symbol of resistance and defiance, a sparkplug to get Americans going after years of slumber, to galvanize public opinion and morale in the United States. Draza Mihailovich represented determination, defiance, and indefatigable will.Read More »

Séraphine and her mother arrive in Paris to visit the 1867 World Exhibition. In an overcrowded city they must be accommodated in separate hotels. During the night the mother, who wasn’t feeling very well, gets suddenly worse. When next morning Séraphine goes to meet her every trace of her presence has disappeared and everybody denies having ever met her. The bewildered young woman must find someone who believes her.Read More »

IMDB:
Frenchwoman Michele de la Becque, an opponent of the Nazis in German-occupied Paris, hides a downed American flyer, Pat Talbot, and attempts to get him safely out of the country.Read More »

Synopsis:
First part of two-film adaptation of Thea von Harbous novel “The Indian Tomb.” The focus of the elaborate adventure film is a dramatic love triangle: Chandra, the Maharajah of Eschnapur, lives happily with his wife Sitha. But Sithas former lovers Sascha from Germany in the palace arises, the revival of passion between the two
grounds for malicious intrigue. Prince Ramagani of secretly planning a coup d’etat, uses the occasion to the Maharajah of Sascha and Sitha raise. Both flee around
the world to Berlin, constantly haunted by Chandra and his entourage.Read More »

Synopsis:
Second and last part of the filming of Thea von Harbous Roman: After their daring escape from the jealous and the Maharajah Chandra intriguing Prince Ramagani reach Sitah the Maharani and her German lover Sascha back to India.
In the Palace of Eschnapur is the decisive confrontation between the main actors: Ramaganis coup attempt by Sascha and Sitah – given their lives for Chandra sacrifices – frustrated. Sascha Ramagani finally kills and is reconciled with the Maharajah.Read More »