Raya Martin

Quote:
This unique film from acclaimed Filipino director Raya Martin re-imagines his country’s past as an elemental humanist epic.

Fleeing the American invasion of the Philippines in the early 20th Century, a mother and son retreat into the jungle where they make a home. Time passes; a wounded woman is rescued; the mother dies; a child is born. The family survive isolated from the growing chaos engulfing their country, but a storm approaches that threatens their existence as American troops draw nearer…Read More »

Set in 1990s Manila, Paolo, a sheltered and obedient son is stifled by his overprotective mother— and his friend Mimaw, a tomboy who finds herself after having her heart broken for the first time.

A series of earthquakes leading up to Mt. Pinatubo’s historic volcanic eruption has been causing blackouts across the country, preventing kids from playing video games. After roaming the streets and getting beaten up, Paolo and his friends—Kachi and Gilligan—decide on traditional circumcision as the ultimate answer to their problems, but Paolo gets sidetracked when he falls in love with Shiara.Read More »

In this documentary within a narrative-and vice versa-a grandiose filmmaker (Alex Ross Perry) arrives in the Yucatán to scout locations for his new movie, a production that will involve exposing the last extant celluloid film stock on the eve of the Mayan Apocalypse. Instead, he finds himself waylaid by the formal schizophrenia of the film in which he himself is a character. Simultaneously a tribute to and a critique of The Last Movie (Dennis Hopper’s seminal obliteration of the boundary separating life and cinema), La última película engages with the impending death of celluloid through a veritable cyclone of film and video formats, genres, modes, and methods. Martin and Peranson have created an unclassifiable work that mirrors the contortions and leaps of the medium’s history and present. An Art of the Real 2014 selection. A M’Aidez Films release (C) Lincoln CenterRead More »