Steven Soderbergh’s 1996 film is a free-form satire with a broad range of targets, chief among which is the form itself. Shot guerilla-style between The Underneath and Out of Sight, Schizopolis is an uninhibited, stream-of-consciousness window into Soderbergh (in goofy dual starring roles here) at play, with all commercial considerations stripped away. This is what it looks like when a gifted Hollywood filmmaker makes a student film.Read More »