
While attending their respective parent’s funeral in London, two strangers discover their parent’s secret love affair spanning across three decades and two continents.Read More »
While attending their respective parent’s funeral in London, two strangers discover their parent’s secret love affair spanning across three decades and two continents.Read More »
Plot / Synopsis
Wesley, is responsible for handling all the incidents that relate to extraterrestrial life on Earth. One day, Wesley meets Fong (Rosamund Kwan) when he is looking at a blue human bone in an antique shop. Fong is an alien from the Blue Blood Planet, she left her home 600 years ago to look for the Blue Blood Bible. Wesley tries to stop Fong going away, the Double X Unit lead by Wai and So is ordered to handle the case. At the same time, Kill and Rape arrive Earth from Blue Blood Planet. They come here to take Fong back to the Blue Blood Planet.Read More »
Quote:
Jet is the star gigolo in Hong Kong. Arrogant, sexy, everyone falls in love with him, but he falls in love with no one… until one day he meets Sam, the hunkiest policeman to ever pound a beat on Hollywood Road. From then on, Jet changes himself into somebody he is not: innocent, sweet, clean, pure. It’s way of setting a trap to catch Sam. But unknowingly Jet falls into the trap himself. Things begin to get out of control when it turns out that Sam’s past is part of Jet’s present.Read More »
Sai Moon-Kin (Tsui) is a rich man who lives with his concubines and his son and a daughter named Yiau (Loletta Lee), who is raised like a boy and is ignorant of the ways of love. Because her brother is mentally retarded, Yiau wants to be her father’s heir but feels that she needs to go to school for the required education. Her desire to attend school leads her to a love affair with a lustful young scholar (Ken Lok). Only after she is equipped by a protective chastity belt, does her father let Yiau go to school, guised in drag.Read More »
An assassin accepts a dangerous mission to kill a political leader in seventh-century China.
J. Hoberman wrote:
“The Assassin” is extraordinarily beautiful. The film’s editing and narrative construction are, however, no less remarkable. For all its exquisitely furnished interiors and fantastic landscapes, “The Assassin” is far too eccentric to ever seem picturesque. Nor does it unfold like a typical wuxia. Mayhem is abrupt, brief and fragmentary — predicated on suave jump-cuts and largely devoid of special effects.Read More »