Holk, an unemployed mans wife is taken ill. He must find food for her. He goes out poaching on the manors hunting grounds, succeeds in shooting a grouse, but the shot is heard by the forester. During his flight Holk is caught by the forester. During their fight Holk’s rifle accidentally goes off and kills the forester. Terrified, Holk leaves the place leaving his rifle behind.Read More »
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Farmer Knut Borg (Victor Sjöström) and his family live an ascetic, Chartuan Christian life. Knut is the obvious head of the family but has a hard time getting the three sons to go the right way. Knut Jr. saddened by the strict religiosity and leaves the farm, Anders falls in love with a girl from a free church family and when Anders, who is studying to be a priest, loses his wife, life collapses. The wife was the unifying link in the family. In his despair, Anders loses his mind and thinks he is the savior.Read More »
Letty moves to West Texas from the East and it seems that the wind always blows and the sand gets everywhere. While living with relatives, she finds that she is not welcomed by the wife. With no where to go, she marries a man who disgusts her. Her new home is a small shack with the wind and the sand constant companions. When it is necessary for most of the men to go out into the sand storm, one stays back to have his way with Letty and that costs both of them.Read More »
The last person to die on New Year’s Eve before the clock strikes twelve is doomed to take the reins of Death’s chariot and work tirelessly collecting fresh souls for the next year. So says the legend that drives The Phantom Carriage (Körkarlen), directed by the father of Swedish cinema, Victor Sjöström (The Wind), about an alcoholic, abusive ne’er-do-well (Sjöström himself) who is shown the error of his ways and the pure-of-heart Salvation Army sister who believes in his redemption. Based on a novel by Nobel Prize winner Selma Lagerlöf, this extraordinarily rich and innovative silent classic (which inspired Ingmar Bergman to make movies) is a Dickensian ghost story and a deeply moving morality tale, as well as a showcase for groundbreaking special effects.Read More »
Beautiful, 24 October 2003
Author: Bruce Karam (Bruce.Karam) from Tucson, Arizona 85710 USA
A beautiful story of love, that reminded me of Greta Garbo’s “Anna Christie”. I loved Vilma Bankee’s voice and accent. I felt that the film was charming in it’s “innocence” and simplicity, while dealing with a very complex issue. I hope that I may someday see it again.Read More »
The last person to die on New Year’s Eve before the clock strikes twelve is doomed to take the reins of Death’s chariot and work tirelessly collecting fresh souls for the next year. So says the legend that drives The Phantom Carriage (Körkarlen), directed by the father of Swedish cinema, Victor Sjöström. The story, based on a novel by Nobel Prize winner Selma Lagerlöf, concerns an alcoholic, abusive ne’er-do-well (Sjöström himself) who is shown the error of his ways, and the pure-of-heart Salvation Army sister who believes in his redemption. This extraordinarily rich and innovative silent classic (which inspired Ingmar Bergman to make movies) is a Dickensian ghost story and a deeply moving morality tale, as well as a showcase for groundbreaking special effects. (-Criterion)Read More »