Walter Salles

Synopsis:
When ordered by his father to avenge the death of his older brother, a young man questions the tradition of violence between two rival families.Read More »

After the death of his mother, a young Brazilian decides to leave his country and travel to her native land, as she used to dream with, as an Spanish immigrant. In a foreign land, he finds love and danger as he meets a Brazilian waitress and takes smuggled goods with him in order to pay for his travel.Read More »

Synopsis:
Dora, a dour old woman, works at a Rio de Janeiro central station, writing letters for customers and mailing them. She hates customers and calls them ‘trash’. Josue is a 9-year-old boy who never met his father. His mother is sending letters to his father through Dora. When she dies in a car accident, Dora takes Josue and takes a trip with him to find his father.Read More »

Synopsis:
In 1952, twenty-three year old medical student Ernesto Guevara de la Serna – Fuser to his friends and later better known as ‘Ernesto Che Guevara’ – one semester away from graduation, decides to postpone his last semester to accompany his twenty-nine year old biochemist friend ‘Alberto Granado’ – Mial to his friends – on his four month, 8,000 km long dream motorcycle trip throughout South America starting from their home in Buenos Aires. Their quest is to see things they’ve only read about in books about the continent on which they live, and to finish that quest on Alberto’s thirtieth birthday on the other side of the continent in the Guajira Peninsula in Venezuela. Read More »

From IndieWire:

CANNES REVIEW: Why Walter Salles’ ‘On the Road’ Adaptation Is Better Than You Think

Red flags go up when a filmmaker embarks on adapting a beloved classic. Walter Salles’ long-gestating big screen treatment of “On the Road” spent years in development and the nearly-two-and-a-half hour treatment of Jack Kerouac’s seminal novel of the Beat Generation invited immediate skepticism. Kerouac’s autobiographical look at his friends and their journeys around the country in the late 1940s has become so closely identified with his prose that any attempt to replicate it would automatically create a certain distance from the material — or it seemed. As it turns out, Salles’ “On the Road” does the trick well enough. Overlong and unfocused in parts, Salles’ adaptation nonetheless holds together about as well a movie can when the odds are so heavily stacked against it.Read More »