Willem Dafoe

  • Abel Ferrara – New Rose Hotel (1998)

    Drama1991-2000Abel FerraraMysteryUSA

    Based on the Short Story by: William Gibson
    This film has got alot of mixed reactions. Some hate it, as they most likely expected alot more from a William Gibson adaptation with such a well known leading cast, others feel that it is an excellent science fiction movie that is getting an unncessary amount of criticism. Ill be honest I havent watched it yet, but scrolling through taking the screenshots i noticed that there is lots of Asia Argento titties…and they are spectacular. I’ll let you guys decide how good the film is for yourself.Read More »

  • Martin Scorsese – The Last Temptation of Christ (1988)

    1981-1990DramaMartin ScorseseUSA

    Quote:
    At his execution, Jesus is tempted by an alluring image of a peaceful and pleasant life with Mary Magdelene to try to get him to refuse the sacrifice he must make. The carpenter Jesus of Nazareth, tormented by the temptations of demons, the guilt of making crosses for the Romans, pity for men and the world, and the constant call of God, sets out to find what God wills for him. But as his mission nears fulfillment, he must face the greatest temptation: the normal life of a good man. Based, not on the Gospels, but on Nikos Kazantzakis’ novel of the same name. One of my favorite movies. I like the role of Judas in this portrail when he get angry with Jesus and tells him: Traitor….I loved you so I betrayed you…etc. Without Judas’ betrayal no resurection.Read More »

  • Paul Schrader – Auto Focus (2002)

    2001-2010DramaPaul SchraderUSA

    29f7c043f76a2bde437fd0d52a185152

    Review by Michael Hastings (Allmovie)

    Quote:
    Though Paul Schrader isn’t often tapped to direct scripts other than his own, his touch proves essential to Auto Focus, a true-life tale of sex, celebrity, and videotape that seems tailor-made to the man who dreamed up Taxi Driver and American Gigolo. Schrader’s clinical, detached directorial style proves well-matched to the genial, humorous tone of Michael Gerbosi’s script; it’s like Hardcore without all the proselytizing (and without the sight of George C. Scott in a campy porn-producer costume). What Auto Focus is most interested in is not the narcotizing effects of anonymous sex — though that’s undeniably a big part of it — but the latent homosexuality lurking behind Bob Crane and John Carpenter’s buddy-buddy sexcapades. Finally cast in a role that successfully sends up and subverts his All-American charm, Greg Kinnear perfectly captures Crane’s kid-in-a-candy-store sexual awakening; meanwhile, Willem Dafoe underlines the desperation at the heart of the swinging lifestyle. Schrader overplays his hand in the film’s “downward spiral” sequences, switching to hand-held camera and bleached-out film stock, but even those minor technical miscalculations don’t detract from the film’s portrait of Crane as a man whose determination to lead the unobserved life ultimately led to his death.Read More »

  • Abel Ferrara – Go Go Tales (2007)

    2001-2010Abel FerraraComedyDramaItaly


    Description:
    A screwball comedy centered on a Manhattan go-go dancing club, where a financial struggle between the owner, his accountant and his silent partner brother threatens the business’s future.Read More »

  • Alan Parker – Mississippi Burning [+Extras] (1988)

    1981-1990Alan ParkerCrimeDramaUSA

    Synopsis
    Mississippi Burning is a 1988 crime drama film based on the investigation into the real-life murders of three civil rights workers in the U.S. state of Mississippi in 1964. The movie focuses on two fictional FBI agents (portrayed by Gene Hackman and Willem Dafoe) who investigate the murders. Hackman’s character is loosely based on FBI agent John Proctor, and Dafoe’s character is very loosely based on agent Joseph Sullivan.Read More »

  • Paul Schrader – Adam Resurrected (2008)

    2001-2010DramaGermanyPaul SchraderWar

    29f7c043f76a2bde437fd0d52a185152

    Quote:
    While the Holocaust is certainly a legitimate topic of inquiry for the committed filmmaker, most contemporary treatments of the Nazi camps betray their mission by allowing the viewer to feel altogether too comfortable as they take in the on-screen atrocities. Whether through the establishment of a mitigating historical distance, the adoption of standard genre tropes or the repetition of an established catalog of horrors, films like The Boy in the Striped Pajamas and A Secret tend to overly familiarize the events of World War II, allowing the viewer to safely assimilate that conflict’s genocidal horrors. But whatever the flaws of Adam Resurrected, and despite the fact that no physical violence is perpetrated on screen, Paul Schrader never allows the viewer to get comfortably situated, relying on an absurdist central conceit and a rapidly shifting array of intellectual and moral concerns—whose superficial treatment unfortunately leads to a certain diffuseness in the work—to continually de-familiarize his subject.Read More »

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