Quote: Beginning in the reality of American middle-class life, Picnic portrays the idealistic dream-quest of the protagonist, from which he is finally cast off. Harrington himself described the film thus: ‘A satirical comment on middle-class life frames a dream-like continuity in which the protagonist pursues an illusory object of desire.’Read More »
Carefully constructed in Tourneur’s typical style – akin, as Chris Fujiwara put it, to a Chinese-box structure – this first in the series What Do You Think? (Tourneur directed the third as well) plays on one of his favorite themes: the attempt to rationalize a series of extraordinary things that happen to the main character.Read More »
Commissioned by the Abandon Normal Devices Festival as an exploration into the globalised shipping networks, liminal territories and spaces of trade and labour that converge on the port city of Laem Chabang in Thailand.
AND Festival 2021 commissioned artist and filmmaker Tulapop Saenjaroen to create a new short film exploring themes of globalised networks, territoriality, and parallel spaces of trade and labour in a port city Laem Chabang, Chonburi Province, Thailand.Read More »
Leave or stay? Director Denis Do takes us on an existential quest through the generations of a single family shaken by 200 years of Chinese history. A deeply humanistic family chronicle.Read More »
Bridge High is an evocative passage across a suspension bridge. Moving from the country to the city, the film expands the half minute it takes a car to cross, into a nine-and-a-half minute trip, choreographing cables, girders and arches into an exuberant dance.Read More »
Short documentary with varied footage from Iran. The Shah’s regime commissioned several soft-propaganda films of this nature from European filmmakers during the 1970s. Its existence and production is more remarkable than the film itself.Read More »
Quote: MOR-VRAN starts with a shot of the sea, followed by one of the map of the Breton coastline. Next, we see images of the various islands off the coast: harbours, a mill, sheep, a lighthouse, cemeteries. The women are dressed in black. In the port of Brest there is a great hustle and bustle. A sailor pays a visit to the fair and wins a chain. He returns to the island of Sein by boat. As the result of a storm he will never get there. After a few weeks, his body, with the chain, washes ashore. On Sein, people start repairing the damage caused by the storm. A young couple talks about the future, about buying a house and a boat. A widow visits a graveyard. With MOR-VRAN, Jean Epstein continued his series of films about the Breton coast. This documentary was obviously conceived as a silent movie: inserted titles explain the action, while music accentuates the atmosphere. Epstein creates a gloomy atmosphere by using pregnant images: the sea leaves serious scars on the islands off the Breton coast. Nevertheless, life goes on.Read More »