This a fairytale for adults, about five people who currently stands at the crossroad that forever will change the paths of their lives.Jonna, Peter, Katrine, Asger and Mårten are all people with an important liaison to one another, but who are avoiding to be truthful. They are all living in a world of shadows, lined by lies and falsities and are only waiting for the truth to appear so that they may be able to continue their lives in another direction.Read More »
Lee Hazelwood plays Smoke. An American in Sweden, who works at a local factory and lives in a collective with other hippies and factory workers (among them Christina Lindberg). Together these youngsters go on strike. The owner’s daughter, who Smokes dates, gets murdered (‘smoked’) by one of the factory worker whom later blames Smoke. Smoke gets shot and wounded, and everything is down from there.Read More »
Synopsis:
Student Göran is vacationing on his uncle’s farm. On the first day he meets the 17-year old Kerstin, who lives on a farm nearby. The young people in the area are trying to organize a youth club. The priest refuses to help them but Göran’s uncle let them use an old barn of his. Göran and Kerstin fall in love with each other, but neither Kerstin’s relatives or Göran’s father gives their consent to the relationship.Read More »
Quote:
Although only Dreyer’s third film, The Parson’s Widow is an astonishingly mature achievement. Many of the director’s chief characteristics can be recognised, appearing not as blueprints but in their already fully-realised form. To people who only know his more celebrated later works, the most surprising feature of The Parson’s Widow is its humour. Its comedy is in the tradition – as becomes a Swedish production of the time – not only of Mauritz Stiller’s well-known frequentation of the genre, but also of some of Victor Sjöström’s less widely seen or underappreciated masterpieces, such as Hans nåds testamente (His Honor’s Testament, 1919) and Mästerman (1920). All of these films are quiet, poignant comedies of love and ageing, strangely foreshadowing some of Leo McCarey’s 1930s films.Read More »
Scripted (but not directed) by Ingmar Bergman, Best Intentions is a multilayered backwards glance at the courtship of Bergman’s own parents. Henrik Bergman (Samuel Froler) is a struggling theology student in the year 1909. His intended, Anna Aakerbloom (Pernilla August, who married director Bille August while the film was in progress) is from a well-to-do family. Despite the expected class differences and personality clashes, love-or at least mutual understanding-prevails. But after a harsh, spare few years as the wife of a clergyman, Anna yearns for the more bountiful pleasures of her family home. Bergman writes himself into the proceedings as a mewling infant. The current three-hour theatrical version of Best Intentions (original title: Den Goda Viljan) was simultaneously prepared as a six-hour TV miniseries, which ran in Europe, Scandanavia, and Japan.Read More »
A poet and writer gets fired from his job at a local newspaper after writing a review of his own work. To make ends meet he gets a job at the shipyard, a world completely different from the one he is used to.Read More »
I dreamed I saw Joe Hill last night. Alive as you or me. Says I, but Joe you’re ten years dead. I never died says he.
In the early 1900’s, the legendary Joe Hill emigrates with his brother to the United States. But after a short time, he loses touch with his brother. Joe gets a few jobs but is struck by all the injustice and tragedy going on. He becomes active in the forbidden union IWW, a union for workers without trades. It is forbidden to demonstrate and to speak in public but Joe gets around that by singing his manifests with the Salvation Army. He manages to get more and more people to get on strike with him but he also makes powerful enemies doing that. Finally he gets connected with a murder and during the trial he fires his lawyer and takes upon himself to become his own defender.Read More »
The directorial debut of famed American writer, philosopher, and political activist Susan Sontag is an intriguing tale of two couples involved in academia and politics. Artur is a professor living in exile in Sweden with his enigmatic wife Francesca. He hires young Tomas to help prepare a compendium of his works, but Tomas soon suspects that there is an erotic side to his new assignment. New York Times critic Vincent Canby described Duet as “intriguing, surprising, witty and sinister to the end.”Read More »
“As the 1960s drew to a close, European erotica really had its work cut out for it. In particular, Sweden, the country known for crashing American art houses with racy dramas, found itself competing with other countries like France and Italy to produce the latest scandal du jour. Budgets got bigger, acting got better, and plots became richer as directors tried to push the envelope, and no one benefited from this more than director and distributor Radley Metzger. Vibration (Lejonsommar) was released overseas hot on the heels of Metzger’s Therese and Isabelle, also starring the fascinating and talented Essy Persson, and it shows the increasing influence of directors like Ingmar Bergman (who, lest we forget, was also promoted at first in the U.S. more for his flashes of skin than his artistic merit). Arty editing, sun-dappled cinematography, and joyous sexuality are the order of the day here, and Vibration is a breezy reminder of what softcore was like just before Sweden’s next big shocker export, I Am Curious (Yellow).Read More »