Vera Chytilová

Description:
Rostislav sitting on the beach with friend Peter philosophize about who is he – a creation of God or the Devil. Their conversation is interrupted by a naked man from a nearby nudist beach “Paradise”, which is looking for a doctor. At this point it appears that the doctor is both an experimental film’s director.Read More »

Quote:
“The Fruit of Paradise” is a breathtaking experimental film from Vera Chytilova. Well known for her surreal feminist comedy “Daisies” (1966), Chytlova uses many of the same hallucinatory camera tricks for “The Fruit of Paradise”. I used to think that the film “Begotten” was original until I saw the “Fruit of Paradise”. The film’s first 15 minutes is highly psychedelic as it tells the story of creation. There are layers of image on top of image with fast camera cuts. The film almost made my head spin with it’s fast pace, use of color and bizarre experimental sound effects. Then it breaks out into a song about Adam & Eve, which is hauntingly catchy. Now if only I could learn Czech. Then the story of Adam and Eve goes to a modern setting. The devil is portrayed as creepy man of middle age; a persistent stalker and serial killer of women. Eva and her boyfriend go on vacation to a health spa, where they encounter temptation. The devil gets Eva to eat the forbidden fruit. Then the film becomes very comical throughout, as the Devil chases adorable Eva everywhere she goes. Very deep, surreal and philosophical, “The Fruit of Paradise” is another underrated masterpiece to Czech out!Read More »

From starburstmagazine
For anyone feeling a little squeamish, of vegetarian inclination or just full from a hearty meal, the graphic opening scenes of Traps (or Pasti, Pasti, Pasticky to give its original title) that feature pig castration may prove a little difficult to stomach. These images also feel burned into your retina somehow; a poignant, pre-emptive piece of filmmaking that becomes disturbingly relevant later in the film. For Czech new wave director Vera Chytilovà, filmmaking was a mission. She became a dominant force in the industry and was often described as a militant feminist, although she preferred the term individualist. Traps bears many of the hallmarks that justify both these labels, and even now remains both boldly ambitious and deeply flawed.Read More »

Quote:
Vera Chytilova’s fascinating 1962 film-school thesis is a protofeminist meditation on the fashion industry that draws on Chytilova’s experience as a model. The storytelling is a bit clumsy, arbitrarily juxtaposing scenes of the protagonist posing at a photo shoot and awkwardly interacting with some young men in a cafe. But many of the images ring emotionally true, even those that have since become cliches—like the sequence in which she wanders the street at night staring at shop window mannequins. The film’s best scene—of the model standing on the runway while the audience whirls vertiginously about—evokes the vacuous instability of a self that exists only in the gaze of others.Read More »

Description:

Two teenage girls, both named Marie, decide that since the world is spoiled they will be spoiled as well; accordingly they embark on a series of destructive pranks in which they consume and destroy the world about them. This freewheeling, madcap feminist farce was immediately banned by the government.Read More »