Darío Grandinetti

  • Eliseo Subiela – Despabílate amor aka Wake Up Love (1996)

    1991-2000ArgentinaDramaEliseo SubielaRomance

    from imdb:
    Ernesto is a journalist in his 40’s who comes from a generation which encountered much political persecution and exile; between the memories and unhealed wounds of his past, stands Ernesto. When his good friend Ricardo calls him one day and proposes to get together after 25 years, they decide to gather all the members of the “old gang” in order to revive those old feelings the best way they know how, through some good old rock n’ roll. Amongst one of Ernesto’s encounters is Ana, an old love who will bring a twisting unexpected turn into his life. The old gang is comprised of Ricardo’s depressive, hypochondriac wife Ana and her socially-conscious former lover Ernesto, a journalist who left Ana years ago to pursue his political ideologies in post-revolutionary Cuba.Read More »

  • Eliseo Subiela – No te mueras sin decirme adónde vas aka Don’t Die Without Telling Me Where You’re Going (1995)

    Eliseo Subiela1991-2000ArgentinaArthouseFantasyFilm Blanc

    Quote:
    This movie is a declaration of love to cinema that is used as a metaphor for the universe itself. We are the films and God is projecting them, including this one with Rachel and Leopoldo, who in a former life literally co-invented cinema as an assistant of Thomas A. Edison named William K.L. Dickson.Read More »

  • Damián Szifrón – Relatos Salvajes AKA Wild Tales (2014)

    Drama2011-2020ArgentinaComedyDamián Szifrón

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    A story about love deception, the return of the past, a tragedy, or even the violence contained in an everyday detail, appear themselves to push them towards the abyss, into the undeniable pleasure of losing control.

    Quote:
    The first ten minutes of Argentina’s Wild Tales, nominated for Best Foreign Language Film at this year’s Oscars, perfectly set you up for the experience you are about to have. A woman boards an airplane, then strikes up a conversation with the man across the aisle from her. It turns out he knows her ex-boyfriend. So does the woman seated in front of him. So does everyone else on the plane. It’s too much to be a coincidence, and it’s not. The guy they all know is the pilot; his passengers are people who have done him wrong. The scene ends with a stunning Twilight Zone-esque twist, then segues into an opening credits sequence set against photos of wild, often predatory animals. Writer/director Damian Szifron grabs you by the throat from the get-go, then proceeds to deliver a dazzling ride.Read More »

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