Eva Kotamanidou

Synopsis wrote:
[…]The Hunters (1977), a thematic epilogue to the historical trilogy that centers on a group of middle-aged hunters who discover the perfectly preserved, 30 year-old frozen remains of a partisan (bearing an uncoincidental resemblance to the Byzantine image of Jesus Christ) and, compelled to deliberate on its ‘proper’ disposition, spend a haunted, restless evening confronting their past. Set in post-junta era Greece, the film is a contemporary allegory on the nation’s deliberate suppre
Acquarello. “Theodoros Angelopoulos.” Senses of Cinema, July 25, 2003. http://sensesofcinema.com/2003/great-directors/angelopoulos/.Read More »

Quote:
[…]The Hunters (1977), a thematic epilogue to the historical trilogy that centers on a group of middle-aged hunters who discover the perfectly preserved, 30 year-old frozen remains of a partisan (bearing an uncoincidental resemblance to the Byzantine image of Jesus Christ) and, compelled to deliberate on its ‘proper’ disposition, spend a haunted, restless evening confronting their past. Set in post-junta era Greece, the film is a contemporary allegory on the nation’s deliberate suppression of painful and unflattering history and collective deflection of personal accountability.Read More »

Synopsis
Lead by Alexandros (Omero Antonuti), a group of thieves escape from prison. They take several aristocrats hostage, and, together with a few anarchists, they go to Alexandros’ village, where an administrative system of common ownership and equality among all the inhabitants has been instituted. They ask the aristocrats to return the land to the villagers, but their demands are not met because soldiers have surrounded the village. The anarchists try to leave but are killed on the way. Alexandros executes the hostages; the soldiers kill his comrades, and the villagers murder him. The only survivor is a little boy named Alexandros (Ilias Zafeiropoulos), who escapes and goes to Athens.Read More »