Mária Sulyok

  • Pál Sándor – Szeressétek Odor Emíliát! AKA Love, Emilia (1970)

    1961-1970ComedyHungaryPál Sándor

    Synopsis:
    In this refreshing film, Pál Sándor takes the viewer into a girls’ educational institute from the turn of the century. The life of the closed community revolves around strict rules and regularly repeated humiliations, that is, until Emília Odor (Ildikó Szabó) turns up as a new student. Her stubborn, freedom-seeking, rebellious personality thoroughly upsets the well-worn relations. Pál Sándor, director of Régi idők focija/Football of the Good Old Days, Szabadíts meg a gonosztól/Deliver Us from Evil, Ripacsok/Salamon & Stock Show and Szerencsés Dániel/Daniel Takes a Train, once again utilizes his brilliant light touch to sketch out the mood and milieu of a given age, creating heroes with whom it is a pleasure to identify even though they are destined for a tragic fate.Read More »

  • Zoltán Várkonyi – A köszívü ember fiai AKA The Heartless Man’s Sons (1965)

    Zoltán Várkonyi1961-1970DramaHungaryWar
    A köszívü ember fiai (1965)
    A köszívü ember fiai (1965)

    During the Hungarian war of independence 1848-49 the widow of Kazmer Baradlay – who himself was a supporter of the Austrian Emperor resists the last wish of her late husband wishing his sons to become faithful Hungarians. She asks her eldest Odon to return from St. Petersburg and the others – Richard and Jeno from Vienna. The revolution of 1848 begins. Supported by their mother the sons join the revolutionary cause despite their father’s will.Read More »

  • Gyula Maár – Déryné, hol van? AKA Mrs. Dery Where Are You? (1975)

    1971-1980DramaGyula MaárHungary

    Mrs. Dery Where Are You? (Hungarian: Déryné hol van?) is a 1975 Hungarian drama film directed by Gyula Maár. It was entered into the 1976 Cannes Film Festival, where Mari Törőcsik won the award for Best Actress and the movie was nominated for Palme d’Or award.

    Dery (Mari Torcsik) is a grande dame actress of the Sarah Bernhardt school of big-gesture theater. Her beauty and popularity is fading, and a new school of acting which involves the use of one’s own emotions (a-la Eleanora Duse) is emerging in the person of her younger Viennese rival. She thinks of retiring from the stage, and reunites briefly with her estranged husband in a newly-built manor in the country. Finding that life there is boring, she returns to town, the theater, and her old friends. ~ Clarke Fountain, RoviRead More »

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