Marlene Dietrich

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An under-valued classic
Fritz Lang’s superlative western teeters dangerously on the edge of campness, (it’s that infernal ‘Legend of Chuck-a-Luck’ ballad pounding away on the soundtrack, continually reminding us that this is a tale of ‘hate … murder and revenge’). Then, of course, there is that great gay icon Marlene Dietrich, looking extraordinary at fifty one as Altar Keane, boss of the outlaw hideout Chuck-a-Luck where Arthur Kennedy comes seeking the man who killed his girl in a robbery. In many respects the film is a perfect companion to Nicholas Ray’s not dissimilar “Johnny Guitar”, made around the same time and both featuring dominant women and weaker men and both dealing explicitly with ‘hate, murder and revenge’.Read More »

Synopsis:
Electric company foreman Hank McHenry (Edward G. Robinson) works with his friend Johnny Marshall (George Raft). Upon the death of an older worker in an accident, Hank and Johnny visit the man’s daughter, Fay (Marlene Dietrich), who has just been released from jail. Johnny takes an instant dislike to the jaded Fay, but Hank begins courting her and, despite not loving him, Fay eventually marries him. Later, when Hank brings Johnny home for care when he is ill, Fay falls in love and sparks fly.Read More »

Immanuel Rath is a stuffy, disciplinarian professor who is shocked to discover his students passing around a postcard of Lola-Lola, a singer at The Blue Angel cabaret. Hoping to catch his students there, Professor Rath visits the nightclub and witnesses Lola-Lola’s performance. Entranced by her dissolute charms, he gets drunk on champagne and spends the night with her. The ensuing scandal causes him to lose control of his students and he is terminated from his position. Returning to Lola, he agrees to marry her and joins the troupe. His humiliation at having to play a clown onstage is compounded by Lola’s attraction to the strongman Mazeppa. To make matters worse, the troupe returns to the professor’s hometown, forcing him to acknowledge how far he has fallen.Read More »

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The fifth directorial effort of German film star Maximillian Schell, Marlene is an unorthodox documentary of the legendary Marlene Dietrich. After years of resisting Schell’s entreaties, Dietrich finally agreed to participate in this project-but refused to appear on camera. Thus, a tape recording of a Dietrich-Schell interview is heard throughout, while the screen is filled with images of Marlene culled from stills, dramatic films (The Blue Angel, Shanghai Express et. al.) and newsreel footage.Read More »

Because he can pass as a Russian, A.J. Fothergill is recruited to spy on the revolutionary movement in Russia in 1913. He becomes imprisoned in Siberia, as a revolutionary, until the 1917 uprisings. Amid the turmoil of the civil war between the red and white armies, he tries to flee Russia along with the beautiful Countess Alexandra.Read More »

A 1950 British crime film directed and produced by Alfred Hitchcock starring Jane Wyman, Marlene Dietrich, Michael Wilding and Richard Todd. Others in the cast include Alastair Sim, Sybil Thorndike, Kay Walsh, Hitchcock’s daughter Patricia Hitchcock in her movie debut and Joyce Grenfell in a humorous vignette.
The story was adapted for the screen by Whitfield Cook, Ranald MacDougall and Alma Reville (the director’s wife), with additional dialogue by James Bridie, based on the novel Man Running by Selwyn Jepson.Read More »

Tag Quote:
Von Sternberg is a like Bach or Beethoven: he provides the performer with a form, and the performer creates the emotion and meaning, each performer quite differently, and each performer can say, “I did what he told me to.”Read More »

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Phoebe Frost (Jean Arthur), an upright Iowa Republican member of Congress, travels to Berlin to look into reports of corruption among the occupying American forces. She enlists an Army captain (John Lund) in her crusade and finds herself falling for him, unaware that he’s the man romantically involved with a German cabaret singer (Marlene Dietrich) who can lead army investigators to a high-level Nazi war criminal. The post-war public was not ready to accept such a witty expose of American and German hypocrisy during its original release but A FOREIGN AFFAIR is now considered one of Wilder’s most underrated and iconic films. The black and white cinematography by Charles Lang and the screenplay by Wilder, Charles Brackett and Richard L. Breen received Oscar® nominations.Read More »

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This film is a hard one to assess. It is like a Western taken out of context, replacing the cowboys and Indians with coal miners and steel impresarios.

Ostensibly two coal miners, Pittsburgh Markham and Cash Evans, best friends, chance upon Josie “Hunky” Winters a high-class “countess” and both men fall in love with her. She persuades them that they need to take chances if they are to get anywhere and they do, by shaving three cents off the price of coke and persuading a steel company owner, Morgan Prentiss to sign a contract with them to provide it.Read More »