Max von Sydow

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Ingmar Bergman’s Shame is at once an examination of the violent legacy of World War II and a scathing response to the escalation of the conflict in Vietnam. Max von Sydow and Liv Ullmann star as musicians living in quiet retreat on a remote island farm, until the civil war that drove them from the city catches up with them there. Amid the chaos of the military struggle, vividly evoked by pyrotechnics and by Sven Nykvist’s handheld camera work, the two are faced with impossible moral choices that tear at the fabric of their relationship. This film, which contains some of the most devastating scenes in Bergman’s oeuvre, shows the impact of war on individual lives.Read More »

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Bergman’s little-seen English-language film starring Elliott Gould and Bibi Andersson, which charts the course of a doomed affair, earned mixed reviews on release in 1971 and was quickly overshadowed by his subsequent works – but it’s time to recognise it as a major entry in the director’s canon.

It’s unsurprising that many myths and misconceptions have arisen surrounding Ingmar Bergman, that of the terminally gloomy Swede being merely the most prevalent. Here, after all, is someone acknowledged as one of the greatest filmmakers of all time yet viewed by those none too familiar with his body of work as a whole as a forbiddingly lofty, aloof philosopher rather than an artist or entertainer. (Even a feature in last month’s Sight & Sound claimed that some of Bergman’s films might today “be considered so wilfully opaque and mired in symbolism as to be past the point of parody”.)Read More »

When his wife dies, Lassefar takes his 12-year-old son Pelle from their home in Sweden to Denmark in search of a better life. Signing on as laborers at a large farm, father and son undergo numerous trials, including prejudice against immigrants and run-ins with those more powerful than themselves in both the physical and the social sense. Over the course of a year, young Pelle learns what it takes to survive in a harsh and unforgiving world.Read More »

The Swedish 19th century engineer S. A. Andrée sets out to become the first man on the north pole. His idea is to launch a polar expedition using a hydrogen balloon, together with two friends. The balloon, “The Eagle”, takes off from Svalbard in 1897, but the three men are not heard of again.Read More »

Synopsis:

Recently released from a mental hospital; Karin rejoins her emotionally disconnected family and their island home, only to slip from reality as she begins to believe she is being visited by God.Read More »

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In recent years, The Seventh Seal has often been honored more for its historical stature than its prevailing vitality. Those who attended its first international rollout and were changed forever by the experience are now second-guessing their attachment to a work so firmly ensconced in the realm of middlebrow clichés. Its Eisenhower look-alike Reaper, emblematic chess game, and Dance of Death have been endlessly emulated and parodied. Worse, The Seventh Seal quickly assumed, and has never quite shaken, the reputation, formerly attributed to castor oil, of something good for you—a true kiss of death. A movie that’s good for you is, by definition, not good for you.Read More »

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière brothers.Read More »

“This made-for-television film was based on Olle Hedberg’s script, which Ingmar Bergman had directed for the City Theatre of Hälsingborg as early as in 1945, and as a radio play the following year. Bergman, who called the play ‘an unpleasant piece’, used stage actors from Malmö. The scarce reviews of the film focused on Bergman’s faiblesse for the puppet theatre and the morality play, with the result that the characters functioned as types.”Read More »

IMDB plot summary:
“Turin, 1983. Commissioner Moretti (Max von Sydow) tells to a boy: “I’ll catch the killer of your mother, I’ll catch him for all my life”. Same town, 17 years later. The murderer is back (he is not dead, as people thought for a long time), he attacks two girls and a long strip of blood begins. The boy now is an adult and when he meets the old Moretti they decide to close the case forever. To do it they must solve the puzzles of the killer, nicknamed The Dwarf: where the corpses are found, there is always a piece of paper with the form of an animal. And in a mysterious house is hidden a poem titled “The animal farm” but it’s not the Orwell novel… it’s a clue.”Read More »