Roland Bertin

  • Patrice Chéreau – L’homme blessé AKA The Wounded Man (1983)

    1981-1990DramaFrancePatrice Chéreau

    Quote:
    Henri (Jean-Hugues Anglade) is a lonely, isolated young man who lets no one get close to him. He meets a street hustler and comes out of his shell, going 180 degrees into gay obsession. Though he has yet to physically approach the object of his affection, Henri builds up so much unrequited lust that it explodes with horrible results.Read More »

  • Serge Gainsbourg – Charlotte for Ever (1986)

    1981-1990ArthouseDramaFranceSerge Gainsbourg

    Quote:
    Stan, screeplay writer, had his time of glory in Hollywood. Today, alcoholic with a certain envy for suicide, his only link to life is his daughter, Charlotte.Read More »

  • Med Hondo – West Indies (1979)

    1971-1980Caribbean CinemaFranceMed HondoMusicalPolitics

    One of Hondo’s enduring masterpieces, West Indies is a stunning widescreen musical that takes place entirely on a single set – a giant slave ship that symbolizes the triangular relationship between Africa, Europe and the Caribbean – as it explores the parallels between the forced migration of the Atlantic slave trade and the contemporary migration of Afro-Caribbean subjects to former colonial metropoles. In a breathtaking display of virtuosity, Hondo deftly uses an array of filmic techniques (a vertically oriented mise en scène, dexterous tracking shots, beautifully orchestrated long takes) to explore four centuries of history within his single location, signalling temporal shifts through fluid camera movements and sumptuous staging; meanwhile, the remarkable range of musical styles, witty, poignant, and rousing lyrics, and brilliant choreography dazzle the senses and invite the spectator to join in the struggle to transform the world. –Aboubakar SanogoRead More »

  • Nikos Papatakis – Gloria mundi aka Tortura (1976)

    Drama1971-1980FranceNikos PapatakisPolitics

    The young actress Galai is hired by his friend and director Hamdias to interpret a film denouncing the torture of suspected terrorists during the war of Algeria. The woman, using audio recordings made during the torture, practices the worst violence on herself to make her own interpretation as realistic as possible, to confuse reality with fiction. Galai, as the character she plays, is a part, along with her lover, a subversive movement. In an attempt to rejoin Hamdias is forced to flee an exhausting marked by humiliation and betrayal that ends in an unpredictable finish.Read More »

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