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A three-part omnibus consisting of Kino Klub amateurs’ work: Zivojin Pavlovic’s dialogue-free “Live Waters” set in 1943, Marko Babac’s “Warriors” about psychological look at the two patients in a hospital room, as well as Kokan Rakonjac’s “Raindrops” about alcoholic’s decaying relationship with his girlfriend.Read More »
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At the time when Sovražnik (1965) was filmed , Živojin Pavlović had only two omnibuses that he made with colleagues from the Belgrade Cinema Club, Kapi, vode, ratnici and Grad . The latter was banned by the court, as the only Yugoslav film of that period (produced by the Sarajevo Sutjeska film) to suffer such a fate. It was much more common for a controversial film to end up in the producer’s “bunker” and for permission to be shown at all. This is how Pavlović’s first feature film Return (1964), produced in Belgrade’s Avala Film, went through , and in the meantime he received an offer to direct in Slovenia: he and writer Bora Ćosić adapted FM Dostoevsky’s story, but adapted it to modern times.Read More »