

Probably Früh’s most unique work: an elliptical sort-of-biopic about Karl Tellenbach, a barber from Bern, who was known in the whole city for his strange, unhinged jokes. Also, a dark, desperate film about alcoholism and loneliness. In a way, DÄLLEBACH KARI sees an old master discovering modernism – indeed, today the film is thought of as an important part of the New Swiss Cinema. At the same time, the film might be seen as a reflection of Früh’s own personal and artistic struggles.Read More »