Two different rhythms in the same body. The first one of an actress and the second that of his character: Luisa and Rosalinda share the same body but not the same rhythm. One afternoon in the Delta del Tigre, on the outskirts of Buenos Aires, a group of actors meet to rehearse the comedy Como les guste, by William Shakespeare. During this day, love rages and the roles between actress and character are confused between the enjoyment of artifice and the anguish of the uncertain.Read More »
Quote:
It is a significant day for 80 year old Antonio. After an absence of many years, his estranged son is coming to visit. All must be perfect. There will be a toast with a very special champagne; an embrace; warm words that may finally bridge the gap between them. But before, Antonio must wait. Bedridden, he looks out his window at the Patagonian landscape and sees light and life, the past and the present, while sensing the future. He decides to secretly leave the house, unseen by his faithful caretakers, to take what might be a last walk in his fields, breathing the air, treading the earth, inhaling the scent of the land that had been his life. What could otherwise seem like insignificant memories or moments in one’s life, take a special, beautiful meaning and weight in this poetic, humanistic film.Read More »
Rosalía is a cashier at a supermarket. She lives alone, loves reading fairy tales and hides in a magic fantasy world in order to survive living in the real one. She thinks she is a fairy who came on a mission and got caught in this world. She travels by bus every day. At the bus-stop, there is a “web camera” which records images and puts them into the Internet. Santiago is a scientist who works in an international research project to detect signs of extraterrestrial intelligence. He is a lonely man who lives with his dog and his computer. Rosalía finds she has some extra-sensory powers and thinks three young women she knows are fairies. They will remarkably influence her life. She also feels the need to meet her father, whom she has not seen since she was 8.Read More »
Kékszakállú is an unconventional portrayal of several young women witnessed in immersive yet indeterminate states: within their bodies, among their friends and lovers, and ultimately in a culture of economic and spiritual recession. The torpor of boredom and privilege is undercut by the vicissitudes of Argentina’s economic malaise, forcing the offspring of a vanishing upper class to extricate themselves from the props of familial privilege. The film presents a documentary-like exposure of the quotidian while extending possibilities for redemption among this brood of the weary. Obliquely inspired by Bela Bartok’s sole opera, Kékszakállú radically transposes the portent of Bluebeard’s Castle into something far less recognizable: a tale of generational inertia, situated between the alternating and precisely rendered tableaux of work and repose in Buenos Aires and Punta del Este.Read More »
A quiet, epileptic taxidermist plans the perfect crime. All he needs is the right opportunity. An accident, perhaps…Read More »
From Allmovie:
Government bureaucracy and ineptitude, as well as social foibles, get a drubbing in this socio-political satire by director Fernando Birri. Everything starts when the families in a poor, mud-hut neighborhood lose what little they own in a bad flood. In steps the militia to rescue them, and then the local government comes next as the politicos hope to gain points by relocating the group of unfortunates. Nothing goes right for the essentially honest, simple villagers who are now the dispossessed. One family seeks temporary shelter in a boxcar and ends up being attached to a train that then takes them on an interesting journey. Meanwhile, no one seems able to help them out and when the hubbub has died down, the families are not much different than when the flood first washed them out. Director Fernando Birri was particularly interested in Neorealism and would eventually move to Cuba.Read More »
Quote:
An unashamedly erotic look at female queer sexuality viewed through the prism of emotional trauma, Vergel is guaranteed to stir. A sudden mourning brings a woman to the edge of madness. Funeral procedures, heat and a neighbor that comes to water the plants, come together in an emotional journey where it is impossible to distinguish the real from the unreal.Read More »
Leonardo Favio´s long awaited return to the movies was a triumph. On August 3rd, the Argentinean Film Journalists Association gave the Condor Awards to the 2008 local film production, and Aniceto, Favio´s latest film, got 9 out of the 11 statues it had been nominated for.
A musical remake of his own previous film “Éste es el romance del Aniceto y la Francisca…” (This is the romance of Aniceto and Francisca…), the movie won the awards for Best Film, Best Director (Leonardo Favio), Best Adapted Screenplay (Favio and others, based on Jorge Zuhair Jury´s short story), Best New Actor (Hernán Piquín), Best Cinematography (Alejandro Giuliani), Best Editing (Paola Amor), Best Sound and Music (Iván Wyszogrod), and Best Art Direction (Andrés Echebeste).Read More »
Quote:
Five young people are involved in a serious car accident that leaves four of them dead. Isabel, the youngest, is the only survivor and helps her four friends realize they have passed on.Read More »