Armenia

Quote:
The overtly propagandistic, anti-religious plot of The Flower on the Stone (Tsvetok na kamne, Dovzhenko Film Studio 1960–1962) does not look like promising Parajanov material: when a new Komsomol mine and mining community is established in the Donbas region, a member of a Pentecostal cult sends his daughter Christina to recruit new believers. Arsen Zagorny, an upstanding Komsomol member and a talented violinist, falls in love with Christina and crosses paths with Zabroda, the leader of the local cell of the cult. Additional problems crop up in the form of Grigori Griva a local boy prone to hooliganism and drink and his buddy Chmykh, a dissolute accordion player. Grigori learns to mend his ways thanks to the guidance of Pavel Fedorovich Varchenko, the wise and patient director of the mine, and Liuda, the Komsomol organizer with whom he falls in love. The film’s title refers to fossilized plants visible on pieces of coal.Read More »

The history of the Armenian nation from a Marxist point of view.
Illustrated by Vivaldi’s “The Four Seasons”.

***
Artavazd Pelechian’s Seasons of the Year (1975), a film-essay about the contradiction
and the harmony between man and nature, was the the 2nd and the last collaboration
with Vartanov, who had directed Autumn Pastoral (1971) from Peleshian’s screenplay.
In the Seasons of the Year (1975), for the first time, Artavazd Pelechian did not use any
archival footage likely due to the exquisite cinematography by Vartanov. Peleshian’s
Seasons of the Year (1975) is one of the 3 most important documentary films made in
Armenia, along with Sergei Parajanov’s Hakop Hovnatanian (1967) and Vartanov’s
Paradjanov: The Last Spring (1992).Read More »

One of the several documentaries dedicated to the great master Sergei Paradjanov, died in 1990. On this occasion, who is behind the camera is the acclaimed director of Armenian origin Don Askarian. The film was produced in 1998 by Don Film in Co-Production with Margarita Woskanian and ZDF-ARTE.Read More »

plot:
Young lovers Seyran and Susan meet a tragic fate because of patriarchal prejudices of their parents. Although arranged for marriage in early childhood, and despite youngsters’ love, Barkhudar marries his daughter Susan to another man, as a matter of honour.Read More »

“Avetik” is very much in tradition of the cinema of dreams. A gorgeous and mesmerizing film, “Avetik” both thrills the eye and boggles the mind. It takes you on a journey of the mind that leads to heaven or hell – a succulent garden full of bare-breasted goddesses or a frozen step of devastation and death”. “Askarian is capable of producing images that are unlike anything ever seen before, yet hit you with a primal immediacy”.Hovering between the realms of poetry and history, this stunningly photographed, elegiac work-hot mostly in long takes-mixes cryptic metaphor and fantastic symbolism to tell the story of Avetik, an Armenian filmmaker exiled in Berlin. Director Askarian employs dreamlike images-a crumbling, ancient stone chapel gradually reduced to nothing by the rumbling vibrations of passing military vehicles; a ghostly cemetery of carved tombstones in which a woman takes a starving sheep in her arm and breast-feeds it back to life-to reflect the history of his homeland and shades of his own exile in Germany. In sensuous, lyric tableaux, Askarian explores German racism, the 1915 Armenian genocide, the disastrous earthquake of 1989, tranquil childhood memories, and images inspired by erotic medieval poetry.Read More »

Atom Egoyan directs and stars in this painfully honest account of an Armenian photographer’s search for love in spite of himself. His marriage in tatters, he starts dating again, but can’t quite jump in with both feet, and his heart, first. With every date, he puts the women through the paces, asking them to make sexually charged phone calls to others. When he finally meets his match, his ex suddenly comes back into the already murky picture.
-netflix synopsisRead More »

A poetic docu-drama based on real events witnessed by Armenian master Khachatryan. He reflects on the tragedy that befell his people during the conflict between Armenia and Azerbaijan in the 1990s, after the Soviet Union fell apart. He does so without words or indeed human protagonists, through the story of a buffalo who is found stuck in a ditch in the countryside. He is brought to a nearby farm where animals, farmers and refugees are gathered to hide and recover from the conflict. All regard him with great suspicion. We follow life on the farm and in the surrounding villages through the eyes of the buffalo over the course of a year, with the changing of the seasons and the slow rhythm of the place. (WARSAW FILM FESTIVAL)Read More »