Parviz Kimiavi

A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province, near the Afghanistan border. He has already hired Turkoman tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diagetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.Read More »

Quote:
An old hermit lives in a slum and wants to teach the alphabet to the children regularly go there to play. What makes the hermit happiest however, is when he comes to the letter P (for “Pedarsag”, or “Puppy”). When a child proposes he use the word “Pelican” instead, the hermit goes to the nearby park looking for this animal he has never heard of.Read More »

Sohrab, a provincial young writer, is lost in the desert on the way to Tehran to get a publication license for his book on old Persian poetry, but the trip involves some bizarre events.Read More »

An archeological finding and the stories it may contain. Made with great humor.

From Wikepedia:
Parviz Kimiavi (Persian:پرويز کيمياوی; Born 1939, Tehran) is an internationally acclaimed Iranian (Persian) film director, screenwriter, editor and one of the most prominent figures of Persian cinema of the 20th century.

Kimiavi studied photography and film at l’École Louis Lumière (Louis Lumiere School of Cinematography) and IDHEC. His works gained critical success and won several prizes in important international events such as Berlin and Cannes.Read More »

Quote:
This French anthology is a tribute to A Propos de Nice (1930), a classic documentary that took a poetic and sometimes satirical look at life in the French Riviera town. This version blends fact and fiction to chronicle life in modern-day Nice and is comprised of seven vignettes, each directed by an internationally renowned filmmaker. Only one of the episodes, “Reperages,” from Iranian directors Abbas Kiarostami and Parviz Kimiavi, stays close to the style of the original film by Jean Vigo as it chronicles the experiences of a filmmaker who came to Nice to do research on Vigo for his upcoming documentary. Read More »

Synopsis:
Darvish Khan, a deaf-mute shepherd living in the desert, has a mystical vision in a dream in which he encounters a saint. When he awakens, he finds himself clutching a large stone. Grateful for the vision, he aims to pay homage and begins to construct an unusual monument in its honor. After his wife tells a neighbor that it is miraculous place, news of his ‘garden of stones’ spreads and people from neighboring villages come to see it. The result wreaks havoc upon Darvish Khan’s life. Bagh-e Sangi won the Silver Bear prize for the best film at the 1976 Berlin Film Festival and was shown at the Tehran, London and Paris film festivals. It was recently included at #20 on a list of the 27 best Iranian films, as selected by 14 Iranian directors for the 2014 Fribourg International Film Festival.Read More »

From IMDB:
A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province, near the Afghanistan border. He has already hired Turkoman tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diagetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.Read More »