Poland

Synopsis (possible spoilers):

‘Rose, an older woman living in Paris was born in Poland as a daughter of an aristocratic family. Her family house is now an impoverished home for the old people. Rose visited her property many times since the Berlin Wall collapsed and this time she arranged a meeting with an old palace employee, who earned big money having run a greenhouse business. Nevertheless, it remains a secret where the money to start this business came from. Not having a chance to speak to the employee, Rose meets his granddaughter – Jola – and enjoying her company, invites her to visit Paris. As Jola arrives in Paris, she gets acquainted with a young Arabian with whom she falls in love. Rose is very much by her side. Soon Rose leaves for Poland once again. This time her purpose is to find a chest full of treasures buried by herself deep in the forest soon before the war was over, when she was afraid of property confiscation soon to come. Apparently it turns out, the chest is empty and Jola’s grandfathers seem to be the most suspected men. But are these accusations justifiable?’
– IMDbRead More »

Quote:
Before he got all famous with movies like Rosemary’s Baby and The Pianist, Roman Polanski created Knife in the Water, his first feature film.

Water is a small but incredibly engaging movie, taking place during a day trip on a Polish lake. In the film, upscale couple Andrzej and Krystyna (Leon Niemczyk and Jolanta Umecka) drive out to the marina to take a little ride on the water, picking up a tenacious, beefcake hitchhiker (Zygmunt Malanowicz, whose character is unnamed in the film) and letting him go along on the trip. Andrzej goes to outrageous lengths to belittle his passenger, as the two men obliquely battle for the attention of Krystyna. It all comes to a head with Andrzej pushing the non-swimming blonde kid into the water, right after tossing his beloved knife into the drink. And there’s more to come after that.Read More »

Synopsis
Study of two lonely old people who have been married for many years, their relationship having atrophied into a silent war. This wordless struggle has become their way of life, yet underneath it all there is still tenderness and love between them.
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An excellent documentary on the great Zbig Rybczynski, spanning his entire career, from Kwadrat to his most recent Hi-Def works. It’s not an overstatement to say that Zbig is one of the great pioneers of the moving image; a true visionary whose influence and ideas can be found everywhere in contemporary filmmaking and advertising.

Fascinating and moving in equal parts, Zbig discusses his life and experiences and how they have shaped his work. An incredibly eloquent and engaging narrator and storyteller, the man is as interesting as his creations – a beautiful mind, an extraordinary artist and a remarkable man.Read More »

A boy shyly watches a girl on a tram. Only when he exits the tram, and its too late, does he realize that he must meet her.Read More »

From IMDB:

The late, great, Kryzstoff Kieslowski made documentary films for over ten years before his first movie: ‘The Office’, a short shot while he was still at film school, was his first. It’s notable for its fly-on-the-wall style, then something radical and daring rather than the over-familiar device we know today. If you watch this as an extra on the ‘No End’ DVD, you can also watch an interview with a contemporary (and later collaborator) who explains how Kieslowski realized that in communist Poland, everything was political: ‘The Office’ consists of a few minutes of film in a social security office, but says a lot about the system as a whole (though as it happens, social security may have been one field where Poland was not so different to the capitalist world). This film made Kieslowski a legend among his peers, for while it is very brief, the appendage of words and images is striking and there are definite hints in the style of his later work (one thinks here of the scenes in the Post Office in ‘A Short Film About Love’, or in the cinema box office in ‘A Short Film About Killing’). Worth five minutes of any Kieslowski fan’s time.Read More »

A young man and his girlfriend are staying at a camp site near to where a group of other young men are all camped together. The busload of boys leave first but, having packed all their stuff away, the couple pass them on their motorbike – ignoring their catcalls on the way. The couple soon realize that they have dropped their tent somewhere on the road and turn back to look for it – only to find that the busload of boys has stopped and found it first. The boys make a simple proposal – the tent in exchange for the girl. –bob the moo (uk)Read More »

a description by one of IMdB members:
This is such a strange and peculiar film. I had assumed it was a documentary and as such seemed to combine two Kieslowski strains – the meeting and the personal narrative. I kept thinking, as the man who was testifying before a Party Committee which was going to decide whether or not to expel him from the Party. As he tells his story, the curriculum vitae or ‘Life Story’ of the title, I kept thinking this was such a perfect Kieslowski story that he couldn’t have done better if it was scripted.

As it turns out ZYCIORYS was scripted. As far as I’ve been able to discover, the story the man tells was scripted, though based on actual experiences. How precisely or what amount of fictionalizing is involved I do not know. The committee is supposedly real, run by the factory secretary, a man of suspiciously movie star looks. Again, according to the material available, they really got into their task, giving an authentic grilling to the fictional offender.Read More »

a description by one of IMdB members:
When a director films, or ‘takes’ a shot, each is identified by having a ‘slate’ or ‘clapperboard’ with the information regarding the shot written in – what shot number it is and which take it is. The clapper is used when making a sound take, the visual information of the clapper closing synchronized with the jump on the graphic read out of the sound track. The sound and visuals are recorded on different media and this is necessary to match sound and visuals or else everything would look like a poorly synced cheapo chopsocky epic. When it comes to editing the final film the states are all cut out of the film.Read More »