Martinique, in the early 1930s. Young José and his grandmother live in a small village. Nearly everyone works cutting cane and barely earning a living. The overseer can fine a worker for the smallest infraction. The way to advance is to do well in school. José studies hard and succeeds in an exam allowing him to attend school in the capital. With only a partial scholarship, the tuition is very costly. José and his grandmother move to Fort-de-France to make José’s studies easier…Read More »
Quote:
Reluctantly, a sulky adolescent returns to her parents’ house for yet another boring summer vacation, dabbling in desire and the art of desirability, eventually mixing reality with vision, caged fantasies with the fierce female sexuality.Read More »
A fascinating and human portrayal of a once-famous fighter pilot and loyal Stalinist named Nadezhda Petrovna. Now a 41-year-old provincial schoolmistress, she has so internalized the military ideas of service and obedience that she cannot adjust to life in peacetime.Read More »
In 1971, Ingmar Bergman made his first English-language film, THE TOUCH, starring ensemble regulars Max von Sydow and Bibi Andersson, along with seventies everyman Elliott Gould. Thirty years later, Marie Losier decided to recast herself in Gould’s role, breathing new life into Bergman’s most maligned filmic endeavor.Read More »
Quote:
Sandra Larson has always been fascinated by the entire sensory experience surrounding death: its touch, smell and look. As a child, she would search out dead animals and perform ritualistic burials. As a young woman, Sandra gets a job at Wallis Funeral Home, first as a general assistant, then progressing to study to become an embalmer. At the funeral home, she begins to take her fascination with death to the next level by becoming a necrophiliac. But she also begins her first ever relationship with Matt, a medical student, with who she is totally open about her necrophilia. He finds this aspect of her compelling. He becomes all consumed with her as she is consumed with dead people. The questions become how far he will take this fascination with her to understand fully what is going through her emotional being, how far she will allow him to go, and how far can her feelings for him extend as a live being.Read More »
Life and loves of a theatre inside and outside the stage. The troup is playing Les noces de Figaro.Read More »
Quote:
Cheryl is young, Black, and lesbian, working in Philadelphia with her best friend Tamara and consumed by a film project: to make a video about her search for a Black actress from Philly who appeared in films in the 30s and was known as the Watermelon Woman. Following various leads, Cheryl discovers the Watermelon Woman’s stage name and real name and surmises that the actress had a long affair with Martha Page, a White woman and one of Hollywood’s few female directors. As she’s discovering these things, Cheryl becomes involved with Diana, who’s also White. The affair strains Cheryl’s friendship with Tamara. More discoveries bring Cheryl (and us, her audience) to new realizations.Read More »
Reluctantly, a sulky adolescent returns to her parents’ house for yet another boring summer vacation, dabbling in desire and the art of desirability, eventually mixing reality with vision, caged fantasies with the fierce female sexuality.Read More »
Quote:
Quasi documentary about the creation of the Miraflores housing development after the Cuban revolution. In this first Cuban feature film made by an Afro-Cuban and by a woman, Sara Gómez uses innovative documentary and fictional techniques to focus on the marginalised in the poorest, most underdeveloped areas of Cuba. Against a backdrop of dismantled slums and new housing construction, the relationship between a mulatta and a Black Cuban unfolds as a conflict between ingrown ideas of race, class and gender and a Revolution that is trying to dismantle the old, outmoded structures.Read More »