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Guy Debord’s answer to the criticism regarding his previous film, “The Society of the Spectacle”–a film adaptation of his Situationist manifesto, and a sharp commentary on contemporary society and the power of the image untethered from its original context.Read More »
Quote: 1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won’t throw a Molotov cocktail at the police. He smokes opium and talks about revolution with his friend, Antoine, who has an inheritance and a flat where François can stay. François meets Lilie, a sculptor who works at a foundry to support herself. They fall in love. A year passes; François continues to write, talk, smoke, and be with Lilie. Opportunities come to Lilie: what will she and François do?Read More »
Quote: When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.Read More »
Quote: Themroc is a very unusual 1973 French film by director Claude Faraldo. Made on a very low budget with no intelligible dialog, Themroc tells the story of a French blue collar worker who rebels against modern society, reverting into an urban caveman.
The Themroc history is about a typical middle-aged French worker who rebels against the absurdity of everyday life. He shares an apartment with his mother and sister, every day goes to boring and non-profit work. But one day, all of a sudden, in complete frustration, he destroys all his property, demolishes the walls of his apartment, it literally turns into a cave and starts to act like a Neanderthal. His rebellion, his anti-social activities are amazingly attractive to the neighbors, and they soon begin to do the same. Police trying to find a way to contain his behavior.Read More »
Quote: “Fun and Games (for Everyone): a pitch black and milky white film shot during one of Olivier Mosset’s exhibition openings. A psychedelic game of improvisation joins the Zanzibar group with Salvador Dalí, Barbet Schroeder and Jean Mascolo… the solarized image reminiscent of thick strokes of a paintbrush.” – PHILIPPE AZOURYRead More »
Shot in 1967 but not released until 1975, actor Pierre Clémenti’s acid-infused experimental whirlwind of color and music featuring a who’s who of the French 60s underground.Read More »
Positano is an island of the Amalfi Coast that Neptune would have, according to legend, created for the love of a nymph. And it is of love that this film speaks above all, a total and solar love in which family and friends are seized in the same poetic field. Perched on the rocks of the island, the house of Frédéric Pardo and Tina Aumont became in 1968 a meeting place for the underground community. Pierre Clémenti stays there for a while and makes images of dazzling sensuality. Beyond Pierre Clémenti’s intimate love of these faces and bodies often naked in this Mediterranean landscape, the film reveals the moving beauty of a utopia where living together could still be achieved in a territory of sharing and permanent creation.Read More »