Finnish

finni.fi (via DeepL) wrote:
Directed by Ilmari Sarki and written by Martti Saarikivi, the erotic fantasy film Colours (1965) is about a lonely man (Kalervo Koski) living on an island. Sitting on a cliff, he sees three naked maidens rising from the water and hides behind a rock to watch them in secret. The next morning, he thinks it was all in his head, until he catches a water nymph while lifting nets. He returns her to the water. Later he encounters them again, but as night falls he loses them. Was it all an illusion after all?Read More »

Heli (Anu Sinisalo), an art teacher is still in love with her husband, Matti (Ville Virtanen) as they were on the first day of their encounter. They have a13-year-old daughter. Heli is in a midlife rut. Because, unfortunately, her husband shows no real intimacy in her and is only concerned with video games. Subtle hints, beautiful words, sexy clothes and direct action: Whatever she undertakes to seduce him is useless. At last she can’t resist seductions of her young student Jarno (Kai Vaine) and begins a torrid affair with him-and eventually learns what she’s really been missing. But not everything goes according to plan.Read More »

Synopsis
The first Finnish film was made in 1907, but sadly lost forever. So to mark the 100th anniversary year of the Finnish independence, film has now been remade by Juho Kuosmanen (THE HAPPIEST DAY IN THE LIFE OF OLLI MÄKI) following several silent film traditions: shot on B&W 16 mm film and performed with live music and a live foley artist. In the film two siblings inherit all the essentials for a good life: moonshine equipment and a pig. As they embark on their journey, business is good until a card shark arrives.Read More »

Alexander Pushkin’s adaptation. The daughter of a lighthouse keeper runs away with a shipwrecked businessman to the city. But instead of her dreams, she finds herself selling herself in the streets, until a painter finds her as an ideal model for his next painting.Read More »

Finnish director Risto Jarva’s fascinating, futuristic sci-fi mystery is set in a dystopian, Pop Art-designed world of gleaming white towers, Sony video monitors and inflatable furniture, where the beautiful inhabitants all dress as Edie Sedgwick-like pixie sprites or medieval page boys out of LOGAN’S RUN. A historian of late 20th century culture – “before class boundaries were abolished” – named Raimo (Arto Tuominen) is researching the death many years earlier of a free-spirited erotic model named Saara (Ritva Vepsä) who died under mysterious circumstances.Read More »

PLOT: The second part of Aki Kaurismaki “Finland” trilogy, the film follows a man who arrives in Helsinki and gets beaten up so severely he develops amnesia. Unable to remember his name or anything from his past life, he cannot get a job or an apartment, so he starts living on the outskirts of the city and slowly starts putting his life back on track.Read More »

Director Hanna Bergholm’s Hatching is a Finnish body-horror coming-of-age nightmare. The film is centered on Tinja (Siiri Solalinna), a twelve-year-old girl who feels the burden of perfection. Her mother (Sophia Heikkilä), referred to only as Mother, has forced Tinja into gymnastics to create an idealized image of a perfect family for her YouTube blog videos. Mother cares more for the online image she’s carefully cultivating than the reality of her family. Mother and Tinja are always in matching white lace dresses, and brother Matias (Oiva Ollila) and Father (Jani Volanen) wear matching crisp button-ups.Read More »

Quote:
Mimmi, Emma and Rönkkö are girls at the cusp of womanhood, trying to draw their own contours. In three consecutive Fridays, two of them experience the earth moving effects of falling in love, while the third goes on a quest to find something she’s never experienced before: pleasure.Read More »

Tradition versus industrialism.
The world of The Last Ones is set in a small mining village, in the Lapland tundra, filled with tensions between local reindeer herders and miners.
The struggling mine owner, nicknamed The Fisherman, supplies his workers with drugs so they’ll forget a tough existence. The nearby small community of reindeer breeders also struggles.
This critique of capitalism unfolds against a Western like landscape, as the film raises questions about the use and worth of the Arctic lands. The story also tackles romantic conflicts and northern melancholy with a touch of dark humor.
According to director Õunpuu, The Last Ones aims to depict an image of the current state of the world.Read More »