Finnish

Synopsis:
Ferryboat Romance was the feature film directing debut of renowned Finnish actor Thure Bahne, who had been a mainstay in Finnish cinema since the 1930s. The film has the stunning journalist Sanni (Tuija Halonen) visiting the countryside to write about the timber industry. Looking for a room she is immediately thrust into the merry community of loggers, always up for a song, but one of them, Hurma-Jussi, is a little too persistent. Luckily, she is saved from Hurma-Jussi’s claws by the handsome lumberjack Eräs (William Markus). Sanni learns about the community by working as an assistant to cook Marleena (played by Finnish icon Siiri Angerkoski), who is pursued by the jolly oaf Metku (character actor Kalle Viherpuu). Persistently rejected by Sanni, Hurma-Jussi turns to drastic measures and kidnaps her, but he has underestimated her friends in the small logging community. The film is beautifully shot and not only wonderfully portrays the romance between a young couple, but even more so the love between the older Marleena and Metku.Read More »

Quote:
Young photography model Susanna and her alienated teenage brother Veli spend the summer of 1969 travelling around Finland, mostly with another girl and her boyfriend. Sporting the latest fashions and trendy hairdos, they naïvely observe and criticise the modern consumer society, advertising, fancy boats and summer cottages, country dances, barbecues, and any other phenomena that were supposed to bother angry young intellectuals in those days. The plot and the political agenda are delivered with a cheerful, tongue-in-cheek mixture of documentary observations, fake TV commercials, fake interviews, philosophical voiceovers and titles, and a jazzy soundtrack by the progressive rock group Wigwam.Read More »

The first true Finnish movie musical, released in 1940 by Suomen Filmiteollisuus (“SF” for short, hence the title), though some would grant this honor to Suomi-Filmi’s Meidän poikamme merellä (“Our Boys at Sea”, 1933), a film showcasing the Finnish navy as well as the singing talents of composer Georg Malmstén. The songs for SF Parade were also composed by Malmstén, who appears in a small role, but the true stars of the film are Tauno Palo and Ansa Ikonen, already well-known from romantic comedies of the ’30s such as Everybody’s Love and Substitute Wife. They would go on to star in the studio’s next musical and one of the most popular Finnish films of all time, The Vagabond’s Waltz of 1941.Read More »

Synopsis:
Mikko Niskanen’s famous new wave film about the ’60s urban intellectuals who get faced in the Finnish countryside with loads of beer.Read More »

Quote:
Mikko Niskanen’s 1962 adaptation of Paavo Rintala’s novel Pojat (The Boys, 1958) deals with the experiences of young boys during wartime and, more specifically, with the difficult subject of Finnish cooperation with the Nazis during the Continuation War leading up to the Lapland War.

The Raksila Boys are a gang of school boys who are growing up in Oulu. Finland has agreed to ally itself with Hitler’s Germany in order to stand any chance of resisting total defeat against the Soviet Union. Read More »

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After a divorce a father raises his son on his own, while his ex-wife has custody over his daughter. When the mother dies, the brother and sister finally meet again.Read More »

Ignatiy Vishnevetsky wrote:
A mix of sexploitation, Lappish folk dress, and soap opera that still finds room for Nazis and reindeer castration – a movie so inept and bizarre that I have to limit any mention of it to this one sentence, lest I get too carried away.Read More »

Quote:
The Doll Merchant (1955), a fairy tale for adults directed by Jack Witikka, is based on a radio play by Walentin Chorell. The titular doll merchant, played by Martti Katajisto, refuses to conform to the norms of an anonymous totalitarian state. The dictator of the state (Tauno Palo) thinks the merchant is a rebel and has him arrested. However, the dictator’s lover Lilith (Hillevi Lagerstam) is very fond of dolls, as is the little girl (Leena Kaprio), who is helped by an anarchist (Heikki Savolainen) in her search for the doll merchant. The many dolls seen in the film were made by Mona Leo.Read More »

Quote:
The enigmatically titled Take Care of Your Scarf, Tatjana [Pidä huivista kiinni, Tatjana] is Kaurismäki’s take on the road movie. It represents something of a contradiction for non-Finnish viewers, being one of the director’s most accessible films but also one whose subtleties are unlikely to be fully understood by a foreign audience, and I’m including myself in that sweeping suggestion.Read More »