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A young woman named Magdalena (Isabelle Huppert) retrieves a postcard that had been cast into the wind by her biological mother (Bulle Ogier) from a seaside town in Portugal and discovers that she has a twin sister named Maria. From this seemingly introspective opening premise on identity, connection, and history, Deux diverges into unexpectedly abstract, non-intersecting trajectories that involve a schoolgirl attraction with a fellow classmate, a mother’s wartime romance, a serial killer who leaves a tell-tale rose on the bodies of his victims, a lonely woman who adopts a fox as a household pet. Composed of asequential and dissociated vignettes, the film evokes the baroque tableaux of Sergei Paradjanov, the formalism of Rainer Werner Fassbinder, and fractured surrealism of Luis Buñuel infused with quasi-religious iconography and Actionism of Otto Mühl (most notably, in the image of disemboweled figures such as ornamental cherubs).Read More »
